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, 7/10-14, near San Francisco
Running translation by Brian Guan, taped by Cheryl Yonker, transcribed by Kenneth Haugan.
Note: During the workshop, the translation refered to Feng and Zhang in third-person's voice. For the purpose of publishing this transcript, the translated speech is modified to refer to them in first person.
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[Feng] Qi can leak out from the perineum, thereās no way you could know, thereās no external sensation... This qi is different from the "exhaust", those coming out from the anus... You should relax the anus and let whatever leaks out leak out. So when you have very low stance, qi leaks out from the perineum. Thereās no way you would know. When qi leaks out from the perineum you can never sense it. When you have very low stance the angle at the knee is too sharp. Qi doesnāt flow down very easily. We must differentiate between what is good for us and what is bad for us, and what is damaging our body and what is nurturing our body.
... Gentle practice is more effective than forceful practice. Lengthening is better than contracting. Itās not just a simple matter of health, itās also a very good stretching exercise.
[Zhang] Some of us may have noticed Grandmaster Feng has much longer arms than the rest of us. Thatās a result of practicing lengthening. Thirty years ago when we took a picture together, I noticed in the photograph that Master Fengās arm is about one finger longer than mine.
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[Feng] Chen style Taiji didnāt form magically by birth. It is formed by absorbing many schools of martial arts. "Extending is better than contracting."
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[Feng] Gentle is better than forceful. Slow is better than fast. Higher stance is better than lower. That point about practicing with higher and lower stance: When you are practicing with lower stance, yes, your martial ability may increase faster, but youāre doing more damage to your own body, and youāll never realize that youāre leaking qi. Weight on one side is better than double weighted. Even when you are standing upright, your weight should only be on one leg. When youāre standing you should be relaxed and have your weight shifting from one leg to the other, never stationary and fifty-fifty. But not too obvious, that looks too funny. Donāt let it be visible to an observer, but you should shift your weight from one leg to the other. Same thing with the foot. When you are standing you should never tighten your foot, and you should also flex it gently. Never stay in one position. Practicing in a relaxed manner is better than tensing up. [Demonstration] This is a relaxed walk. This is a tense walk. Bagua practictioners spend lots of time practicing that walk. The technical name for that walking is mud-waddling step. You can only do that stepping if you are relaxed.
Curved line is better than straight line. Even when your limbs are lengthened, they should also be curved. The body is the same. It should never be too straight. There should always be a curve somewhere. The Taiji body has five bows [Verbal clarification from translator: as in "bow" and arrow]. One arm, the other arm — two bows. One leg, the other leg, and your spine - your body. So, five bows. There is a Taiji saying that "once the body has cultivated five bows, (and can express the spring-like power) there is no equal opponent under Heaven." [Demonstration] This is one bow as well. Curving the chest is also a bow. Only by practicing in a slow and lengthening manner, you can then cultivate the spring-like energy. Something with springiness is very strong. If you drop it, it will never break. But if you have something that is hard and brittle, when you drop it it will shatter. Thatās what the old martial arts masters would say. If your body has five bows and you have this spring-like power, you will have no equal opponent under Heaven. Practicing martial art, you should know the theory. Only by knowing the theory can you grasp the martial aspect of Taiji.
Again, Taiji is a long form of martial art, as in lengthening. Xingyi, on contrary, is a shorter form. Even though Xingyi is a short form of martial art, they use their body to complement the strength. They use the springy, jumpy power to complement the lack of reach. Taiji is a long form of martial art. Itās like the body of a dragon. Tongbei, another Chinese martial art, is another long form of martial art, because you are always extending your arms. Taiji absorbs the strength of all these different martial arts and forms its own unique style. This movement in our form [demonstrates], itās from Xingyi. This [demonstrates] is from Tongbei. This is from Shaolin. This is from Preying Mantis. This is also from Preying Mantis. The elbow strikes in Taiji come from Baji. Taiji is a compound of eighteen other martial art styles. Using the theory of Taoism, I-Ching, and Chinese Traditional Medicine to form its theoretical foundation, especially yin-yang theory and the meridians in traditional medicine.
Taiji started in the Ming Dynasty, about four or five hundred years ago. Thereās no guarantee if your surname is Chen that you will master this art. The five main styles of Taiji — Chen/, Yang/, Wu/, Sun-, Wu~ —all use Chen style Taiji as the main foundation. Why donāt the other styles have all these power-issuing, forceful movements? The other styles have learned the essence of Taiji, and they donāt have all the forceful movements. Some practitioners of Chen Taiji are getting more and more forceful in their movements. They have not learned the wisdom of the past masters. Yang Taiji [demonstrates] is very gentle, very big. Why donāt they do all that? Wu style Taiji [demonstrates], same thing. Very gentle, very slow. Sun style Taiji: [demonstrates] Slow and gentle too. Why do the founding masters of these other styles of Taiji encourage others to practice slow and gentle? This is evidence to support that Taiji shouldnāt be fast, shouldnāt be forceful. We must understand the basic theory of this art.
Another fact for all of us: There shouldnāt be a classification of old frame versus new frame. There is a classification system of big frame and small frame, but not new frame and old frame. Taiji from Chen Village should be classified as big frame. There is a village nearby to Chen Village called Zhaobao. Their style should be considered small frame. Both styles have their strengths and weaknesses. They all have their uniqueness. If you want to call something old frame, there is in fact such a thing as old frame, but it was before the present Taiji was formed, several hundred years ago. That is when the old masters were still experimenting with the form. [Master Fengās] teacher told him that he is the 17th generation lineage holder of Chen Taiji, and he told him, āIām from Chen Village, and Iām considered a grandfather generation from the Chen Village, how come people call my style new frame, and their style old frame? I donāt understand.ā According to Chen Fake, there is only a differentiation of big frame and small frame, not new frame and old frame.
Our style of Taiji is called Chen style Hun Yuan Taiji. It belongs in the big frame family. Why is it called Hun Yuan? Hun Yuan symbolizes the orbital path of the sun, the moon, the constellations, the earth; when everything is moving together, it is Hun Yuan. For example, bicycles, it spins; automobiles, the wheels spin; ships, steamboats, airplanes, rockets; itās just that they have different directions of spin. Airplanes with rotary propellers, they spin like this. Bullets from guns they also spin. When everything is spinning, itās Hun Yuan. In our own body there is circulation of qi and blood, and they follow particular meridians. For example, up the inner leg and down the outer side. Same thing with the arms, and also around the belt meridian. When everything is circulating and spinning together, this is Hun Yuan. Nothing can leave this basic foundation. Even when weāre walking, there are also curved lines involved. Curved lines are better. Everything moves in the orbit of curved lines.
Letās stop now. We should rest our bodies, but we should exercise our minds still.
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[Feng] Thereās definitely no problem, we can finish this form by the end of the workshop. And the fact that we can do it with such quality is a great improvement from what I'm used to.
[Cheryl] Thanks to Master Zhang!
[Feng] However, we should never be too proud of ourselves. Even though our external movement seems to be ok, this form is very deep. Practice diligently and hopefully one day we can do the form in such a way that whatever shape we express on the outside, the internal will follow. Only when the external and internal are synchronized can we say our form is good. And even then, if we can synchronize our internal and external, there are levels beyond that. For example, we can reach the level where we are one with Hun Yuan, as in you are moving with the universe. When you can reach the level where you are one with Hun Yuan and the universe, itās moving and you are part of it, so even though you are not actually practicing the form you are part of the movement. What is this thing, so-called Hun Yuan Qi ball? It could be as small as a pill or as big as your body. It could move just in your dan tien or it could move all around your body as one big ball. If you can cultivate such a Taiji ball, then you can say you have succeeded. However there are still levels beyond that. Some students asked me once, "have you reached the level where you can get this one little ball of Hun Yuan qi?" I am not there yet, thatās why I am still working very hard at it. I am at the level where internal and external are synchronized. The level beyond the one concentrated ball of energy is when your three senses combine into one — the three senses are your sense of sight, sense of hearing, and sense of thought — when all three senses combine into one, you reach a spiritual level. I am not saying this to discourage you, but the level we just talked about when the three senses are mixed into one and reaching spiritual level, we may not be able to reach that in one lifetime. Only by working hard nonstop and by making progress all the time will we be able to reach there one day.
Some student asked, "what do you mean, three senses combine into one, and what sort of sensations would one experience?" The three senses are the sense of sight, hearing, and the sense of thought. If you have truly reach the level where the three senses are combined into one and become spiritual, (even though you may not get there in one lifetime), if you eventually get there, you reach such a high level that whatever you think about will appear in your sight, or whatever you want to hear you can hear it. It could be thousands of miles away, you could see whatever your heart wants to see, or you can hear whatever your heart wants to hear. This is not superstition. This is achieveable if you work at it. Work at it nonstop and one step at a time and eventually you will get there. This is not superstition, it is my belief that this is scientific. We are all human beings and the fact that we are human beings in this life proves that in our previous lives we have already been working very hard. Thatās why we are human beings and not animals in this lifetime. If you stop working hard maybe you will descend down to the level of animals, but if you keep working hard maybe eventually you will get to that level. Itās not something you can buy with money.
Early on there was a student, I think it was Dennis, who was asking for some stories about Hu Yaozhen, [Editor's note: who was one of Grandmaster Fengās significant teachers] so I'm going to tell you a little bit about Hu Yaozhen. Hu Yaozhen and Chen Fa Ke were both my teachers. Both of them reached a very, very high level in martial arts. Their personalities, their way of thinking and action, were very high and virtuous. Chen Fa Ke was from Chen Village in Hunan Province, but his level of achievment, thereās no other person from Chen Village that he has met that reached even a fraction of Chen Fa Keās level.
[Zhang] Master Feng is very humble, but he has inherited everything that Master Chen Fa Ke taught him — his wisdom, martial arts, and his way of life.
[Feng] Ever since I started learning from both of those masters, I have never heard them say anything negative about anybody else, and they never talked highly about themselves either. Master Chen actually had two nicknames. One of them was Chen So-so, and the other was Chen Useless. Because every time somebody praised him he would say, āIām useless, Iām so-so.ā He said it so often that people actually called him by his nicknames Chen Useless and Chen So-so. However, in martial arts publications in Japan they called Grandmaster Chen Fa Ke āthe Saint of Fistā. [Translator's clarification: The Saint of Martial Arts]
Master Hu, similarly, never expressed his opinion about other people. He always said, āyouāre good, he's good." He always praised everybody else. When somebodyās martial art or life style had some problems, he never said anything about it, he would just say āI donāt know.ā When he saw something strong in somebody's martial art or something good in somebody's personality he would always praise them. Master Hu was a master of five arts. He was a master of Buddhism, Taoism, Confucianism, and Chinese Medicine as well as martial arts. When he meditates, I have seen him levitate for about a foot off the ground. One time he was meditating in the house and I went to visit him with some fellow students. We knew he was meditating, so we stayed outside the house, we didnāt want to go in and disturb him. However, master Hu could somehow sense that we were there, and asked us all to come in. He asked us all to come in, and said, āIāve been meditating too long, my legs are numb, itās all crooked, so can you all come and lift me up?ā So all five of us said, oh thatās pretty easy, because all five of us were strong young men in our prime, so we said, āno problem, we can lift him up.ā We tried, but couldnāt move him. After he saw us struggle, he said āNever mind, Iāll do it myself, Iām no longer numb.ā He just walked down from the bed himself. While we were trying, five of us each took a limb and the other took the body, but none of us could move him. Only when he said āIām moving myselfā then heās coming off the bed. When we were pulling him, it felt to us as if he was almost moving. We felt as if heās giving, heās giving, but heās never quite coming off the bed, and when weāre out of strength he somehow moved back. Itās almost like heās elastic. We were very puzzled why the teacher was doing this to us. The teacher said, āMay be you guys are thinking too highly of yourselves. Are you very proud of yourselves, are you very proud of your strength and your achievements? But look at you, you canāt even move an old man like me, so you must go back and do some thinking. What have you done wrong?ā But none of us could find our own fault at first. āIām ok, Iām very humble, I donāt think very highly of myself.ā So we tried to help each other and say, āoh, you are arrogant in this way and arrogant in that way" and we found our problems eventually. My problem wasā¦ [demonstrates] When I was young I liked to walk like that (scrowling at everybody else). Another fellow studentā¦ [demonstrates] ... full of himself. Another oneā¦ [demonstrates] Heās never sincere, heās always too smiley-faced on the outside. Thatās how the teacher taught us to be humble. The lesson was to teach us that āyou havenāt learned a lot yet and youāre already so proud of yourself, you already have developed so many problems, how can you move beyond your present level?ā
In my memory, both masters have never hurt anybody. Whenever they took on challengers, they always defeat them without hurting them. Other martial arts schools in Beijing gave Master Chen a signboard that said he is Taiji 1, as in Taiji first person, meaning thereās nobody else higher than him in Taiji. Everybody thought he would be happy with such praises. However, Master Chen wasnāt happy at all, he was very upset. He took that signboard and hid it under his bed. People asked him, "You should hang it up. Why do you hide it under your bed?" He said, "Iām not the only one doing Taiji, lots of people are doing Taiji, Iām not the āonly oneā in Taiji" (a possible literal translation of the words on the signboard). All these stories are quite well-known, widely spread, even in Japan. Thatās why they call him the Saint of Martial Arts.
Grandmaster Hu, on the other hand was called āthe God of Fistā [Translator's clarification: The God of Martial Arts] His level of achievement was also very well known, not only in martial arts, but also in Confucianism, Taoism, Buddhism, and Traditional Medicine. There was an aura... he gave out a visible aura when he meditates. His scholarship in Confucianism was very well known, his definition of Kindness, Righteousness, Way/Truth, Virtue was considered to be the best in the field. His knowledged of medicine is also very, very deep. I have seen two or three patients who came to visit him, and they were so ill they couldnāt walk any more, they basically came in a cart. Master Hu just poked two needles into them and they all walked home by themselves. Those patients called him the God-doctor. He wasn't just using needles when giving acupuncture, he used his qi, and he drove it all the way into the patient. Sometimes he could foretell things before they happened. There are certain things I probably should not tell you today, but I would say one thing: Master Hu is not a normal person. For example, I was introduced to Master Chen Fa Ke by Master Hu. I told Master Hu, āI donāt like Taiji.ā But Master Hu said, āHis Taiji is good.ā So I asked Master Hu, āHow come you know his Taiji is good?ā Master Hu said, āWell I donāt know him yet.ā At that time they didnāt know each other. Then I asked, āIn that case how do you know his Taiji is good?ā Master Hu said, āIāve seen him at night,ā without saying anything further. My theory is that he was able to do some sort of out-of-body visit when he was meditating. Master Hu basically persuaded me to go and see Master Chen. āYou just go and have a look-see. If you like it, Iāll write a letter of recommendation for you.ā So I went to visit Master Chen, and I was very, very impressed. So thatās how I meet Master Chen and joined his school. So it was through Master Hu's introduction that I get to know Master Chen Fa Ke. Before Master Chen, the type of Taiji I have seen were what I saw in parks done by old people, which was very soft and not very good. It was only through Master Huās introduction to Master Chen that I started doing Chen Taiji.
Questions and Answers session on the last day of the workshop
[Brian] We have a question on standing meditation. Basically, how should we stand? Any tips on standing? Some students have experienced interesting phenomena like uncontrollable shaking, whether that's good or bad, and whether we should do anything about it
[Feng] Everyone, greetings. This is a good question. Standing posture is Wuji, [Translator note: as in "ultimate nothing"]. Standing posture is posture of Wuji. Wuji is the state before Heaven and Earth was formed, when everything was in the primordial soup, when yin and yang were not differentiated. Wuji is silence, not moving, is quiet, whereas Taiji, the name of our practice, is opposite. Even though it looks as if standing posture/standing meditation there's no movement, however inside, just like in the primordial soup, there's always something, there's always something moving. When the internal subtle movement suddenly reaches critical level, then there's a Big Bang. That's when the light stuff floats up and the heavy stuff sinks down. And those that floats up form the heaven, and things that condenses become the Earth. The Big Bang essentially causes Taiji to happen. Taiji is yin and yang, the interplay between yin and yang. Between the interplay of yin and yang, everything else in this world is born. Without Taiji there's nothing, there's not even us. Everything, all life forms. Plants, animals. Human being are at the top of the animal kingdom, we are spiritual beings. The relationship between Heaven, Human, and Earth is the three pillars of the universe. Basically, from Wuji, even though there's no apparent movement, there's always something happening internally. When the time is right, the universe is formed, and Taiji is born. Same thing when we're doing standing meditation. There's no apparent movement, but there's always a little subtle shift. And after you've been doing it for a while you could generate so much energy in your body that you'd just have to move, that's the time for you to start doing your form. Within Wuji, even though the external is without motion, inside there is the beating of the heart, the circulation of blood, the flowing of chi. So within the motionless external something is contained inside that is moving.
From Wuji, (Ultimate Nothingness) the one, Taiji, (Ultimate Everythingness) is born. When Taiji is born, it separates into LiangYi (Two Forms): Yin and Yang. When Yin and Yang is seperated, then we have SanCai (Three Grouping): Heaven, Earth, and spiritual beings like Human. Then, we have SiXiang (Four Signs). Then WuXing (five elements): metal, earth, fire, water, wood. Five Elements can be used as a broad classification of many things, including our internal organs like liver (wood), heart (fire), kidney (water), spleen (earth), lung (metal). In our form the five elements can be interpreted as forward, backward, left, right, and center. The four signs are North, South, East, West. Within our body, the four signs can also signify the limbs, two arms, two legs. After five elements, comes the six harmonies, or the six couplings. The six couplings are: North and South couples; East and West couples; top and bottom couples. That is the generic six couplings. Within our form, the six couplings are: shoulder and kua; elbow and knee; wrist and ankle. There are a lot more numbers with significance beyond six. We probably won't go over all of them, but we can talk a little bit about QiXing (seven stars). Heaven has a significant constellation called seven stars, the Big Dipper, which is used to defined direction of Heaven, but in our form the seven stars can be seven points of contact in the technique Step Up Seven Stars, i.e. the 2 elbows, 2 fists, knee, feet, and your head. After seven stars we can talk about the BaGua (eight trigrams). The eight trigrams is on our logo, each trigram has three horizontal lines. They mark the eight directions. After the four "proper" directions are defined, the four diagonals are therefore differentiated. After we talk about the eight trigrams, we can also talk about JiuGong (Nine Palaces). The nine palaces are the eight trigrams, plus you in the middle as the ninth palace. So on and so forth. From nine becomes ten, and ten is the turning point. It's when the circle goes back to zero, as in, WuJi.
Let's go back to the standing meditation and involuntary movement. Not everyone will experience it. Some people will experience different feelings, different sensations, when your qigong practice is up to a certain level. Movement is one of them. It's normal to move. However, do not seek movement for its own sake. The movement is a side effect. What we want to do is keep our attention, our intention, within our DanTien, and let the movement be. If the movement continues without bothering you, that's fine. But if it gets bigger and bigger, then you should use your will power, your mind, to tell it "look, just stop it; don't move." Usually that will take away or control the movement. However if the movement is so big that it's beyond your control, then it's time to stop. You should do the DanTien turning exercise, gathering all the Qi that is wandering about back into your DanTien, and stop doing QiGong. Some movements are actually good phenomena. However we should not seek the phenomena. We should just focus on practicing QiGong. So some of the good phenomena are: If you are doing qigong and breathing, it is as if your whole body is expanding and contracting, as if you are breathing with your whole body. That kind of movement, regular movement, is good for your. Another type of good movement is, when you are breathing in, you are feeling as if your stomach is going in so flat it is almost touching your back, and when you are breathing out, your stomach is going forward. And again, this controllable, regular movement is good for you. Those are good movements. Another good feeling is, when you are breathing in, you feel as if all the blood and all the energy in your body get concentrated into you dan tien, and when you're breathing out all the energy goes all the way out to the tip of your limbs. That's also a type of movement sensation that is good. Other types of feelings are sensations, as if you can see, even with your eyes closed, as if the sun is in front of you, or a bright light. Or in your stomach, a bright ball. Or if you feel as if your whole stomach is transparent. Those are good feelings, well-known good phenomena. Whether it's Wuji-standing causing that kind of feeling or doing Taiji and getting that kind of feeling, it's all caused by the inner light, and is also a direct result of your practice. It's good.
[Brian] The next question is about breathing. How should we breathe, when standing, when doing the form, when doing qigong?
[Feng] Breathing when doing standing meditation: What we should pay attention to is not the actual action of breathing. You shouldn't be trying to breath, like draw in lots of air and breathe out lots of air. That's not the main thing. What you should be doing is thinking about breathing. So you use your mind and intention to focus on breathing, and not the physical action of breathing. When we are doing qigong we should be breathing in when we are opening, and breathing out when we are closing. It should be gentle with very, very light breathing as if you are breathing in a thread of air. You are breathing in through the nose, and when you are breathing in the tongue should be touching the upper palate. When you are breathing out, the tongue shoud come down and touch the lower palate, and again, breathe out through the mouth as if you are breathing out a thread of air. However in some movements in qigong the the opening and closing is not that obvious, or one side is opening and the other is closing, so it's not that obvious what to do with breathing. In those movements you shouldn't be focusing on the breathing. You should think about the movement itself. [demonstrates] That was an example of one of the movements in qigong that has no obvious breathing implication. So what should your mind be thinking? Your mind should be thinking of the action, as well as visualizing that you are gathering energy from your surroundings and depositing it into your dan tien.
[Brian] Next question: If we've learned Taiji for awhile, we cover lots of material. And we being normal people, we have a life, so we never have enough time to practice it all. So can Master Feng suggest some sort of timetable, schedule, or exercises for various lengths of time, like if you only have five minutes a day what do you do? If you have ten minutes a day, thirty minutes, one hour, what do you do? And related to that, classic textbooks tell us that the old Chen masters did their forms thirty times a day. Is that possible? How did they do it?
[Feng] Good question. Yes we are all normal people, we never have enough time. However, we are more than normal people, even though we are normal people. Even though we are normal people, we are practicing Taiji, which is part of DaDao (the Grand Way) of Heaven and Earth, of Yin and Yang. Therefore we are more than normal. No matter what exercise we do, within all those things we've learned, what we're doing is cultivating and nurturing our body and our mind.
If we have limited time, what should we do on a daily basis? You should at least cover two things: One is qigong, as many movements as you can do, and then the 24-form. However if you don't even have time to cover those two things, what you can do is, put the 24 aside and concentrate on a subset of qigong exercises. And those examples he was showing us, "Heaven open, Earth close," or "Earth open, Heaven close," that's one. Or "double hand open-close," that's another one. So if you do those, that's ok. But you need to do more than nine repetitions if you just want to do one thing. And he's suggesting a few hundred repetitions. At least a hundred times or two hundred times. He's saying that because qigong is the foundation, is the core of our practice, if you don't have time for anything else, then do the core. However, it's best that you try to put aside at least an hour a day to do qigong as well as the 24.
An example of somebody who benefited from qigong is a forty-something year-old rich businessman in ShanDong province. He had liver cancer, and modern medicine couldn't help him. He went and visited lots of sacred places - Shaolin Temple, Wudang Mountain - seeking out priests and wise men all over the place, and it wasn't helping. However, he met me and started practicing Hun Yuan Qigong, and he did it very diligently, more than an hour a day - he practiced qigong and form everyday, and within a year he got rid of his liver cancer, and his doctor was amazed and shocked. He told the doctor that he didn't do it with medicine, and the doctor didn't want to believe him. Anyway, we visited him, Chen Xiang and I visited him only recently. Next time if you ever get to Shantung Province, I think we can all visit him. He has a factory. In his factory he has about two thousand workers. He's telling all his workers to practice qigong at the beginning of the day every day. If they don't do it he doesn't allow them to get to work. I said to him, "You shouldn't have to force people, it should be on a voluntary basis," but the guy said "No, no way, I'm going to force all of them to do it. Because by doing that, I'm saving on medical benefit bills by several tens of thousands of dollars every year!"
[Brian] Next question is about women and Taiji. This question is for Grandmaster Feng, as well as Master Siu Fang. How should women practice Taiji, and what is the difference between women's and men's practice, and whether Master Siu Fang has any words of wisdom or perspective about women doing Taiji.
[Siu Fang] In principle there's not any big difference. So if body permitting, you should practice more, as much as men. But if you're not feeling well, you can reduce the amount of practice.
[Feng] Men are yang and women are yin, and we are different in that way. The left side of our body is yang, and the right side of our body is yin. And men, being yang, we have much more yang than yin in general, and women the opposite. What we are doing, we want to balance our yin and yang within our body, and that's the purpose of our exercise. So for example, when we are doing the turning to gather and collect chi back to dan tien, men want to draw from our side with excess, and use it, guide it to supplement the deficient side, which is the yin side, the feminine side. Women are spinning the other way for the same reason. Your yin is stronger than your yang, therefore you want to draw from your yin side to supplement your yang side.
The location of dan tien for women is slightly different than men. For men, the upper dan tien is in our skull, right behind this point in our forehead. The name-there are several names- ZuQiao could be translated as ancestors' cavity. And if you draw a vertical line from BaiHui, which is the top of your head, and where they meet, inside of your skull, is the location of your upper dan tien. This point is also called, in Buddhism, the "eye of wisdom", and that's why some Buddha's have three eyes, and some people giving initiation ceremonies want to draw a dot on that point.
Yesterday we talked about the three senses becoming one, when your Taiji or your practice is at a very advanced level. The three senses are the sense of hearing, the sense of sight, and the sense of thinking. When these three senses are combined into one and reached a spiritual state, then your third eye, or your eye of wisdom, will be opened. You can basically see whatever your heart wishes to see, or whatever your heart wishes will happen. At our level we shouldn't spend too much time training and cultivating the upper dan tien. If your foundation is no good and you try to do a lot of head dan tien, upper dan tien work, it's very easy to cause damage, and the types of damage you can cause basically affects your mind, or you can simply just have a big headache. At our level, the Upper DanTien is still useful to us, when we're doing qigong we use it as a gateway. For certain exercises we use it as a gateway to collect qi and use it only in that manner, because after passing through that gateway we want to store the collected qi in your dan tien, your middle dan tien. And you should never, at our level, use it as an energy storage area. That's why every time, at the end of certain sets of movement or the end of the form, we do this a lot. [Demonstration] We want to make sure no wandering qi lingers in the upper dan tien, and we want to guide it down where it should be, which is the middle dan tien, the reservoir of energy. The upper dan tien should be the house of your spirit. It shouldn't be the reservoir of your qi at our level.
The middle dan tien, however, could be worked on as often as you can. You can use it to store qi, you can use it to nurture your qi, basically you can use it to collect qi. And when you have good collection of qi, like big amount of energy in your dan tien, it will naturally become a big source of spirit that you can use. That is why we talked a lot about the three dan tiens, the upper dan tien being the dan tien for spirit, the middle dan tien being the dan tien for qi energy, and the lower dan tien being the dan tien or reservoir for essence, as in bodily fluids i.e. semen. That is why the ancients say, if your lower dan tien is full, as in you have good collection of essence, then your energy will naturally be full, and if your energy is full, then your spirit is full. It's a natural progression, so the old Taoists would train or practice or meditate to make sure that their essence could be abstracted into qi and qi abstracted into energy.
For men, the location of our middle dan tien is right behind our navel. It's about an inch and a half. The location of lower dan tien is at the perineum, it's between your genitals and your anus. And from that soft spot go up about about one and a half inches. That's the location of your lower dan tien. Those two locations are for men only. The location for upper dan tien is the same for both gender. For women the location of your middle dan tien is not behind your navel. Rather, it's in the middle, in the center between your breasts. Your lower dan tien is in your womb. However, for women, you don't want to store qi, and collect qi directly to your middle dan tien. It is safer to collect qi behind your navel still, and when you have good collection, when the qi is full, it will naturally rise up to the location of your middle dan tien. If you start by building up the female middle dan tien, it will affect you negatively, you will have some sort of pressing sensation on your chest. In Taoism, men are considered yang creatures and women are considered yin creatures. However, the finer point is that men are yang on the outside but yin on the inside, and women are yin on the outside and yang on the inside. So in theory, in terms of speed of progression in QiGong, women should be faster than men. So under the same conditions and circumstances, women in general will progress much faster than men, and usually will live longer life than men. Women have yang on the inside, that's where the draw their power from, so if they really train as hard as the men, they'll get there faster than us.
[Brian] This next question. At first I tried to censor it. I thought well, some guy was just asking, you know, a stupid question. However, I got the same question more than a few times. So I said, well, enough people are interested in this topic, we should then ask it. It's about sex and Taiji. Should you do it? Is there a need for moderation? Is there a difference between men and women?
[Feng] If you are a young man and you don't practice qigong, well you do it once every two or three days, that's fine. However if you start practicing qigong and you are serious about your qigong, then at most you do it once every ten days, and in theory you should stop three days before it and five days after. So basically you shouldn't do any serious qigong practice for three days before it, as in you have to plan for it, and then five days after you don't do it. For women it doesn't matter as much. But they should avoid doing QiGong three days before and five days after their menstrual period.
[Brian] How about if you retain your semen?
[Feng] If you can do that, then yes, you don't have that restrictionā¦ If you are able to retain your semen, if you have that ability, what you should do after sex is to massage your lower abdomen and rub it or wash it with warm water to calm down the buildup. Otherwise there will be some sort of blockage.
[Brian] Ok, now the last question, and I think after the last question we should call it a day, because there are too many questions. The last question or request is, we want Master Feng to recount when he first met Master Zhang.
[Feng] Whatever Zhang told us, it's the same thing. [laughter]
[Feng] When I first met Master Zhang, I heard that he's from Shantung Province. My impression of ShanDong people is, ShanDong is a province full of warriors, because Shantung people are always very martial. ShanDong men are usually straight shooters. Their mouth will say exactly what their heart thinks, and it's very fast. Whatever their heart thinks, they will say it immediately. And usually, they are good people, too. I met Zhang through Zhang's old teacher's recommendation, Chen Zhaokui, and another teacher Li Rui Yen. LRY is the god-daughter of Chen Fa Ke. When we first met, we bonded very well. We like to go to little street-side stalls and eat spicy tripes, spicy pork stomachs, and drink some. My impression of Zhang was very good. We use to hang out together and practice together. However, afterwards he came to America, then we have less contact. However, I like what he has achieved here - you are the result of his work - I'm very happy to see the result of his work. I hope you can all stay united and advance the teaching of Taiji, and contribute to the well being of man kind.
[applause]
[Feng] This workshop is almost like for family. You are very close. You tried very hard to do cost containment. When I visited Japan and Europe the workshops had several hundred people, sometimes even thousands, so there's not much time for such intimate talk and practice.
[Zhang] This workshop is essentially for my students only. And a lot of material we cover and a lot of opinions we express, is only for us only. Usually Master Feng doesn't want to talk about such things in normal, open workshops. When he gave lectures in Hong Kong and Japan, it's for thousands of people, and the organizers sell tickets to such events. When he was giving lectures in China, sometimes even in universities, well-known universities like Beijing University, QinHua Universityā¦ These are top universities in China, and he was invited there as a guest speaker, and he just went there without a prepared speech written up, and he just stood up there and talked for two hours nonstop. So he shocked all the university lecturers, they were frantically taking notes. I wasn't there, but Feng's third daughter told me, "my father was incredible, he just stood up there and talked to university lecturers for two hours nonstop."
This workshop is very unique, very special. We've been hoping for Master Feng's visit for more than four years, and planning for it, and there were lots of reasons it didn't happen before in the previous years. We don't want to talk about those reasons. Now that he's here, we are all very happy. However, Grandmaster Feng is a very busy person. He has many titles and many responsibilities back in China. For instance, he is Vice President of the Chinese Institute of Martial Arts. And they have lots of events to attend like meetings, and meetings, and meetings. I understand the situation, and that's why every time we have students who want to go to China and ask to visit Master Feng, I always told them not to. Basically, Grandmaster Feng is so busy, I don't want any of my own students to go and disturb him. Sometimes we have students who go and visit Master Feng somehow, and basically just sit there and overstay their welcome sometimes, and disturb his rest, I don't want that to happen. That's why this workshop has been planned in such a way that we have lots of material to cover, but we have ample rest in between. We want to preserve not just the living treasure of China, but the living treasure of humanity.
[Feng] All things in the universe conform to the theory of Hun Yuan. It's circulation, it's everything.. That cannot escape the principle. Our form of Taiji reflects that. And also, our form of Taiji is trying to show the original face, the root of Taiji.
[Zhang] I want to add to the last question that you've asked. I know Master Feng for about forty years, and over the past forty years we have been great friends, and the relationship has always been good. Even after I left China to come to the U.S., my heart is still in Beijing, and I always thought about going back to China. However, my work here is not done. Master Feng cares a lot about his students. Every time I visit him in China, he always sends his greetings to us.
Basically that's it, that's the end of the workshop, however, I want to add that I am very happy that you've learned a lot, and you've shown great improvement over the last few days. However, I feel that my burden is heavy, because you've learned all these materials, and you need to "keep and remember" them. And when Master Feng's left America and gone back to China, it will be my work to basically help you out.
The reason why we want to form the American chapter of the Feng Zhiqiang Taijiquan Academy is that when Master Feng is not in the U.S., we as an organization, can continue to work on studying this body of knowledge, and we should all help each other in our studies.
Well, that's it for the workshop, and I wish everybody good health and happiness!
CHEN STYLE TAIJIQUAN EXPERT FROM BEIJING
BY JAREK SZYMANSKI
Text - Jarek Szymanski; Photos - Jarek Szymanski and courtesy of Mr.Feng Zhiqiang; Ā© J.Szymanski 2000
A short biography of Mr.Feng Zhiqiang (based on the article "Opening the river of Hunyuan, establishing the manners in martial arts" written by Pan Houcheng and published in "Hunyuan Taiji" magazine, 1/1999).
MR.FENG ZHIQIANG Mr.Feng Zhiqiang was born in 1928. His family was from Shulu County, Hebei Province. His great-grandfather was famous martial artist who passed military examinations and became Wuju (successful candidate in the imperial examinations on provincial level) during Qing Dynasty (1644-1911). Although Feng's father did not practice martial arts, one of family relatives, Wang Yunkai, was proficient in Shaolin boxing and when Feng became 8 years old, Wang started to teach him Tong Zi Gong (stretching exercises), Standing Post methods, Boddhidharma's Yijinjing (Classic of Changing the Tendons, set of isometric exercises). Feng not only learnt very fast, but inherited his great-grandfather's strength, and at the age of 12 was able to carry 200kg heavy stone around the courtyard (this is traditionally called "Strength Kills Four Gates" - Li Sha Si Men). He liked to fight and many times taught bad youngsters in the neighbourhood a lesson. Because Feng, with his big eyes, looked like a tiger, he was often called "Tiger with Big Eyes" (Da Yan Hu).
At the age of 12 Feng was sent to relatives in Beiping (today's Beijing) to learn repairing electric appliances. One of his neighbours there was a Tongbei expert (also skillful in point striking and "Light Skill" - Qinggong) from famous Cangzhou County in Hebei Province, Han Xiaofeng. Feng studied under Han's guidance for four years, not only learning Tongbeiquan, but also Red Sand Palm skill (hands hardening method), kicking wooden posts and striking sand bags. Feng was able to break five bricks with one hand strike.
At the end of 40s there were two martial artists very famous in Beijing - Xinyiquan (Xingyiquan) master Hu Yaozhen from Shanxi Province, called "One Finger Shakes Heaven and Earth" (Dan Zhi Zhen Qiankun), expert not only in martial arts, but also traditional Chinese medicine and Taoist meditation methods; the second was Chen Fake, 17th generation inheritor of Chen style Taijiquan. At the age of 20 Feng Zhiqiang through introduction of one of his gongfu brothers (who was from the same town as Hu Yaozhen) met Hu Yaozhen. Hu criticized Feng's practice methods saying they were "ruining his body". To make Feng understand better what he was talking about, Hu asked Feng to hit him. In spite of using whole strength Feng was easily defeated by Hu who only used one finger against him. As the result Feng knelt in front of Hu Yaozhen and started his Neijia boxing studies. Feng studied Liuhe Xinyi Quan under Hu's guidance for two years first learning Qi gathering methods, nourishing Qi, practising Intention and Qi, Santi standing, Dantian Methods, Wuxingquan (Five Elements Fists), Twelve Shapes, 24 Hands.
HU YAOZHEN (1879-1973) native of Yuci in Shanxi Province; famous martial artist, expert in Qigong and traditional Chinese medicine (TCM). Graduated from Shanxi Chuanzhi Medical School; learnt from many masters of martial arts (internal styles of Taiji, Bagua and Xingyi), Buddhist and Taoist meditation, TCM; received secret transmission of Buddhist and Taoist mediatation, and on the basis of his experience in medicine and internal martial arts methods created "Hu Yaozhen's Still and Moving Qigong"; in 1942 in Taiyuan set up Martial Arts Academy of Shanxi Province and became its president. Wrote several books: "Qigong and Health Preserving", "Qigong", "Hua Tuo's Five Animals Play", etc. According to Mr.Feng Zhiqiang, Hu Yaozhen studied Xingyiquan from Wang Fuyuan (Liu Qilan's disciple) and his disciple Peng Tingjuan, which classifies Hu's style as Hebei Xingyiquan.
Hu Yaozhen (1879-1973)
It is important to note that the practitioners in the lineage of Wang Fuyuan, who live in Yuci in Shanxi, call their art Xinyiquan (Mind and Intention Boxing), although in other areas it is generally known as Xingyiquan (Form and Intention Boxing) and should not be confused with original Xinyi styles of Dai Family or Henan Moslem branch.
After two years of diligent studies under Hu Yaozhen's guidance, Feng Zhiqiang's internal skills reached high level - not only his Large Heavenly Circle and Three Dantians were opened, but also there was a small ball of Qi that could circulate freely along his body at his will, Five Bows were developed so that his body was full of elastic power. Hu Yaozhen realised that his disciple had not only inborn talent for martial arts, but was also a person who could in the future synthesize and bring to highest development arts he learnt and establish his own style. Hu decided that Feng should also study other martial arts and not be limited to only one style. For this reason he introduced Feng to his good friend, Chen style Taijiquan expert, Chen Fake. Hu suggested that Feng learnt from Chen while at the same time continuing his studies of Xinyi Internal Methods. Since that moment Feng was practising even harder than before, getting up at 4 in the morning and practising until 11 for seven hours. He was exercising both Xinyi and Taiji, Internal and External Methods, standing and moving techniques, single techniques and routines as well as pushing hands. During eight years from 1950 till 1957, Chen Fake corrected Feng's routine eight times, so that Feng was able to understand its inner meanings and true practice methods.
Chen Fake CHEN FAKE (1887-1957), seventeenth generation descendant of Chen clan, famous Chen Style Taijiquan master, Chen Changxing's great-grandson. Chen became famous in his hometown for victories in leitai (free fighting) competitions held in the county and for defeating opponents armed with spear and saber while Chen stood barehanded (after he rejected the post offered to him by Han Fuju, local warlord). In 1929, through Chen Zhaopei's recommendation, Chen Fake left Chenjiagou and went to Beiping (today's Beijing) to teach Taijiquan. Very modest, used to say about himself "No Good" and for this reason became known in Beijing as "Chen No Good" (Chen Bu Zhong). Many times challenged by martial arts practitioners (including Bagua and Chinese wrestling experts), defeated them in great style, without hurting anybody. Emphasized Wude (Martial Virtue) in his teachings.
Chen Fake (1887-1957)
Chen had many students, including Lei Muni, Tian Xiuchen, Feng Zhiqiang, Hong Junsheng, Li Jingwu, Shen Jiazhen, Gu Liuxin. Shen Jiazhen and Gu Liuxin wrote a book called "Chen style Taijiquan", which was published in 1963. The drawings and explanations for the first and second routines of Chen style are based on Chen Fake's and his son, Chen Zhaokui's photos and introduce movements as taught by Chen Fake in his late years. Note: this book is a part of "The Complete Book of Taijiquan" (T029B) which is available through this site (Click here!)
In 1953 Capital Martial Arts Research Society was established with Chen Fake as its president and Hu Yaozhen as vice-president. Feng Zhiqiang was going there everyday, first helping his teachers with everyday chores, and then asking for guidance and teachings. In this way he became Chen Zhaokui's (Chen Fake's son) practice partner. Most of Chen Fake's disciples were afraid to practice pushing hands with Chen Fake because of pain, but Feng Zhiqiang treated this as the best way to learn true skill. Since Feng's gongfu brothers always let Feng "enjoy" this "pleasure", at Chen Fake's late years it was usually Feng Zhiqiang who dealt with strangers coming to cross hands.
In his letter to Wan Wende of Shanghai, Chen Zhaokui wrote: "I have one older gongfu brother, his name is Feng Zhiqiang, he's extremely intelligent, and his skill is the best among all our gongfu brothers".
At the age of thirty Feng was already very proficient in both arts of Xinyi and Taiji and became very famous in Beijing martial arts circles.
After Chen Fake passed away in 1957, Feng Zhiqiang, although busy with his work in electric appliances factory, was keeping in touch with his gongfu brothers and made few simple rules to be observed by those teaching martial arts: "first, do not make trouble; second, do not fight; third, if somebody comes to challenge you, I (e.g. Feng Zhiqiang) will deal with him". It happened many times that either Feng or one of his gongfu brothers was challenged and Feng had to deal with the challenger. Once a Qigong master wanted to compare his skill of Bigu (fasting) with Feng. The rule was to sit in meditation for three days with some water as the only food. After three days Feng as usually went out to practise with his 19kg steel rod, while Qigong master could hardly walk!
Feng was in very good relations with Chen Fake's son, Chen Zhaokui. Before death Chen Fake asked Feng to take care of Chen Zhaokui. Feng was often practising together with Chen Zhaokui, taking care and protecting him. When Zhaokui passed away in 1981 at the age of 53, Feng was very sad and was often saying that he did not take good care of his gongfu brother.
Chenjiagou is the place where Chen style Taijiquan comes from. Every generation of the clan had its masters, and in the 17th generation the most skilfull was Chen Fake. However, since after his arrival to Beijing Chen Fake was living in the capital, Beijing became the center of Chen style Taijiquan. After the Cultural Revolution (1966-1976) was over, Zhang Weizhen, Communist Party secretary of Chenjiagou, wrote a letter to Feng Zhiqiang asking him to come to Chenjiagou to teach Taijiquan. Feng Zhiqiang visited Chenjiagou three times, teaching Taijiquan to the 19th generation descendants of the style. Many Taijiquan practitioners of Chen clan from Chenjiagou were also often coming to Beijing to deepen their studies with Feng. This part of the history of Chen style Taijiquan will always be recorded in the chronicles.
Feng Zhiqiang in Chenjiagou in 1979
Feng Zhiqiang in Chenjiagou
Sitting (from left): Feng Zhiqiang (2nd), Chen Liqing (3rd; Chen style Small Frame expert); "Four Tigers" are standing (from the right): Chen Xiaowang (2nd), Zhu Tiancai (3rd), Wang Xi'an (5th), Chen Zhenglei (7th)
In 1981 Feng Zhiqiang was asked by one of his friends from Beijing PE Institute to meet a foreign martial arts expert. The foreigner, skilfull in many Chinese and foreign combat arts, came to China to look for martial arts masters, and although BPEI introduced him to many experts, he was still not satisfied and asked for meeting with Feng Zhiqiang. Feng asked the foreigner to demonstrate his martial art and found out that although the man's upper part of the body was very strong, the lower one was without roots. Feng asked the foreigner to hit him, and using "scaring the up to get the bottom" method (also called "drawing into emptiness") pushed the opponent flying on the wall. Since the foreigner could not understand what happened and found out that he was not hurt, he asked to try again and was defeated again. Afterwards the foreigner was full of respect towards Feng's skill and took up Taijiquan study.
In 1981 Feng Zhiqiang retired and in 1983 became the president of the Beijing Chen style Taijiquan Research Association established the same year. Since 1981 Feng Zhiqiang has been invited to take part in many competitions in China, and in 1984 for the first time went abroad, to Japan, to teach Chen style Taijiquan. Later Feng also visited Mexico, USA, Singapore, Denmark, Holland, France and Hongkong. The country Feng visits most often is Japan. Among his student there are not only Taiji practitioners, but also Karate, Judo and Aikido experts. He has been challenged there many times by local martial artists and gained great respect. Same situation happened in 1986 in the US and in 1988 in Singapore.
Feng Zhiqiang has been many times invited to move abroad to stay and teach Taijiquan, but he always refuses saying: "My roots are in China".
He has also authored many books and video tapes/CDs on Chen style Taijiquan, like "Practical Fighting of Taijiquan", "The Essence of Chen Style Taijiquan", "Hunyuan Method of Taijiquan", "Silk Reeling Method of Chen Style Taijiquan", "Twenty Four Elbows of Chen Style Taiji", "Chen Style Taiji Grappling Methods", "Chen Style Xinyi Hunyuan Taijiquan" and many others.
Feng Zhiqiang often says: "It is my greatest wish is to let Taijiquan culture from China better benefit the mankind!".
In the first days of March this year I visited Mr.Feng Zhiqiang at his home in Beijing. Because of annoying traffice jams I came to a place near his home quite late and we did not have much time for the conversation. Since he and his family were afraid that I would not find the place, Mr.Feng's daughter came out to meet me and then Mr.Feng also came out to greet me and we all went to his apartment. Mr.Feng was very friendly, full of energy, often joking (he complained about being too short because "it was so easy for a tall person to fetch things that are put on a high shelf..."), open during the conversation. He answered all the question I was asking and it is a real pity the time was so short...
The questions for this interview were sent by persons who subscribed to the updates notifications of this site as well as by some members of Internet discussion lists.
Jarek Szymanski: Mr.Feng, it is known that you studied Shaolin Standing Post methods in your youth. How would you compare it to Neijia practice?
Feng Zhiqiang performing Neigong MR.FENG ZHIQIANG: Yes, I learnt and practised Standing Post exercises of Shaolin school. The main difference between them and the methods of Neijia school is that Neijia emphasizes relaxation to greater degree. For this I think there is certain reason in dividing martial arts into External and Internal Families. It is also related to the methods of using Qi - External Family (Waijia) uses physical strength (Li) to drive Qi, while Internal Family (Neijia) uses Intention (Yi) to move Qi. Anyway, I had to give up all my external practise after I started practising Neijia.
Feng Zhiqiang performing one of his Neigong exercises
JS: What is Qi?
MR.FENG: Qi is a kind of driving force (Dong Li). For example blood circulation can be explained with the term "Qi". Internal styles say: "exercise Intention (Yi), not Qi", "when you use Intention, your channels will not be blocked", "exercise Qi, not physical strength (Li); when you exercise physical strength, it will easily break"; "Intention should be focused on Spirit (Shen), not Qi; when it is focused on Qi, then Qi will become stagnant". There is also another saying "Where Intention arrives, Qi also arrives". However one has to build Qi to reach this level. Qi comes from food, from breathing, it is also given to us by our parents and stored in the body as "Original Qi" (Yuan Qi).
JS: You are well known as Chen style Taijiquan expert, but you also learnt Liuhe Xinyiquan. Could you tell more about your studies of this style?
MR.FENG: My Xinyiquan teacher, Hu Yaozhen, was from Yuci in Shanxi Province. His style was of Wang Fuyuan's and Peng Tingjuan's lineage. I was studying under Hu's guidance for nine years. Hu Yaozhen put great emphasis on standing post exercises (Zhan Zhuang). I learnt many standing methods from him, not only San Ti Shi, but also Embrasing Post (Bao Zhuang), Closing Post (He Zhuang), Even Post (Ping Zhuang) and others. Each method had to be practised for three years, and while outside form did not really change, the Intention was changing. The teacher was teaching different Intentions to different students, it was very individual, and the Intentions were changing with the level of the practitioner.
JS: Was it then something similar to Yi Quan (Intention Boxing)?
MR.FENG: I do not know enough about Yi Quan to be able to compare the methods. Hu Yaozhen did not teach standing methods where palms were turned outwards because in his opinion this made Qi flow away.
JS: Is Qi related to Dantian?
MR.FENG: Dantian is closely related to movements of the waist. In microscale it is the center of the body - point between belly button and Mingmen, where Qi originates from. In macroscale it covers whole body. In order to develop Dantian one should start from standing exercises and collect and nourish Qi - first focus Intention on the center of the body. Once the Qi in the body becomes abundant, one feels warm and movement inside. Then Dantian breathing should be used to induce the outside movement of the body with internal movement. When Intention and Qi are coordinated, Dantian turns and Qi flows freely in the whole body. All parts of the body move in a round way. This is Hunyuan. Feng Zhiqiang in Xiahuan Hunyuan Zhuang
Feng Zhiqiang performing Low Circle Hunyuan Post (Xiahuan Hunyuan Zhuang)
JS: "Hunyuan" seems to be very important idea as you decided to add it to the name of your system...
MR.FENG: Heaven and Earth are continuously revolving, stars, the Sun, all of the heavenly bodies spin and rotate. This round, circular, coordinated movement is called "Hunyuan". This movement should also be reflected in martial arts practice. I learnt many martial arts and walked a very crooked path before I understood the core of Neijia arts. I want to show other people a straight, direct path to achieve high skill. For this reason I emphasize "Hunyuan" and the function of Xinyi (Mind and Intention).
JS: Is Dantian movement usefull in fighting?
MR.FENG: The body moves as a cordinated whole because of Dantian movement. While issuing power (Fa Li) Dantian turns and the whole body power is focused in one point. In this way the power issued can penetrate the bones of the opponent. While issuing power the body should be relaxed, but one should be very conscious about so-called "Shaking Power" (Dou Jin). This power has to be focused and not scattered all over the body. The more advanced one is, the smaller the shaking. When we were learning Taijiquan from Chen Fake shaking the body in Fa Li was the greatest taboo to be avoided.
JS: Is Silk Reeling Power (Chan Si Jin) the feature of Chen style only or other styles of Taijiquan have it too?
MR.FENG: All Taiji styles emphasize Opening and Closing (Kai-He), Empty and Solid (Xu-Shi), Hardness and Softness (Gang-Rou), Contracting and Opening (Qu-Shen), Yin and Yang, etc. Silk Reeling Power appears in all Taiji styles but Chen style emphasizes it more than other schools and the round movement of all parts of the body is its feature. Other schools of Taiji pay more attention to Opening and Closing. Actually all martial arts contain circular and round, Hunyuan movements. In Xingyiquan this feature is described by Drilling (Zuan), Wrapping (Guo), Twisting (Ning), Overturning (Fan).
Feng Zhiqiang in Beizhekao JS: What is Peng Jin?
MR.FENG: It is a kind of power that both Internal and External styles should have (although External styles do not use this term). It is a protective, warding off, directed forward power, which is not weak/soft (ruan). All Taijiquan powers should have Peng, and the differences among them lie in different directions it is applied.
JS: Is Liu He - Six Harmonies - the feature of only Neijia arts?
MR.FENG: Six Harmonies mean coordination between Mind (Xin), Intention (Yi), Qi and the body. Externally they can be understood as "arriving at the same time". Both Neijia and Waijia should use Liu He principles.
Feng Zhiqiang performing Lean With Back (Bei Zhe Kao) movement
JS: What do you consider to be the most important part of Taijiquan practice, most useful in building gongfu (skill)?
MR.FENG: The skill should be build upon a strong basis of Internal Exercises (Neigong). Hunyuan Neigong is a kind of Qigong which is a set of basic exercises and at the same time very advanced practice method. I was able to realize how powerful Internal Power (Nei Jin) is when one day in the 60s in the factory I was working in a 500kg generator was falling down and I could hold it and put on the ground. I believe it was possible only because of neigong exercises. These exercises not only help in maintaining or regaining health but also serve martial purposes.
JS: What about fighting?
MR.FENG: Although martial arts are about fighting, one should not think about fighting during practice. The fighting skill comes naturally after a certain time of correct practice. One should practice Neigong (Internal Methods), routine, pushing hands (Tui Shou). Pushing Hands should be practised in a cooperative way, to get the skill of "knowing the opponent" (Zhi Bi), without any thought of fighting. Then one should also practice single movements and their applications, free techniques, footwork.
JS: What changes have you noticed in the last twenty years and how in your opinion will Chen style Taijiquan evolve in the next fifty years?
MR.FENG: The recent years showed some phenomena that were not present when I was learning Taijiquan. Most of practitioners show a lot of Shaking Power. As I already said, the better the skill the smaller the shaking. Concerning the future, I believe there will be constant improvement in the skill level of the practitioners - they will realize the importance of Hunyuan. As old saying goes "Skill is satisfied only with clear understanding" - it is very important that the teacher understands and is able to explain clearly the principles of the art.
JS: But it is a common phenomena that the skill of the next generation is worse than that of the one before, isn't it?
MR.FENG: This is mainly because the teachers were very conservative at sharing their knowledge. I believe the opening of the teachers will have very positive influence on the level of their students.
JS: Mr.Feng, thank you very much for your kind explanations and your time!
grandmaster of the 18th generation of authentic taijiquan
Interview with Feng Zhiqiang, head of the 18th generation of authentic Taijiquan, original source of all Taijiquan styles of the Chen-family. Compiled by Luc ThƩler during many talks in Beijing, China. This interview is a part of the soon edited book about Taijiquan by the same author.
L: Feng Zhiqiang, you have walked a long path to become grandmaster of the original school of Taijiquan. How did this path of life look to you?
F: During my childhood most people in China were forced to fight for their survival. One had to work hard to have some food. It wasnāt any different in my family. Thus I had to work, ever since I was ten years old, carrying trolleys and carts etc. Like most kids in my age, I got busy with martial arts from my early age onwards. Dongbeiquan, the art that crosses your back, to me was an exciting fighting style, which I wanted to continue, but it all happened different in the end. I intensively studied Liuhe Xinggyiquan, the art of gaining form through the visualisation of the six sources. Hu Yaozhen, my master, was a great taoist medician and martial arts master. He intensively was occupied with the inner taoist alchemy (neidan) and also has been a master of acupuncture. His accomplishments are nearly undescribable, but this man was searching for the essence of all being and achieved great mastery. It was him who convinced me to study with his friend Chen Fake, along with his family style of the old Taijiquan (T.) of the Chen. Chen Fake was a man, who hardly spoke. He mostly occupied himself with the perfection of his legendary martial art. He was not really interested in teaching apprentices, since it was difficult to find suitable apprentices. In those years, one had to be patient for years before a master would start taking notice of you.
L: I have heard that nobody dared to study T. with Chen Fake, because people were lacking the patience to do so, and also because they were too frightened to receive one of the masters "electric pushes" and get wiped out.
F: Thatās right. My master has been a very special person. He never was really content with his achievements. He continously was looking further into the sources of T. Often he stood for hours on end in the same position and moved up and down in the silk-thread spiral (Chansiijng), which was his way of meditation. The first path (Yilu) and the second path (Erlu-Paochui) he often practised thirty times each day, a sequence of which takes half an hour. It is indeed like you mentioned that students were afraid to practise Tuishou (Pushing Hands) with the master. The subtile actions of the master were so forceful that one could definitely get wiped out easily or even be hurt.
L: It is said that you are the only one who dared to put up with such cumbersome endeavors and in the end have been the only chosen apprentice who received the knowledge of this ancient art and became Chen Fakeās succesor.
F:It takes many years to have established all the basic techniques within your own being to even be able to take in such knowledge. Next to my work in the factory and raising a family of five I often practised every morning at five oāclock for a few hours.
L: During these times under the national socialists and later on the red brigade one had to keep such knowlege secret, right?
F: Yes, thatās right. We met secretly. Hu Yaozhen, my first master has been a vegetarian and that already was quite suspicious,- it was good luck he hadnāt been deported.
L: How would you describe in short the original old Taijiquan (T) school?
F: T. is a very ancient school of Life, which developped out of Tao and is very effective in keeping the body alive and healthy,- it supports spiritual growth and serves as self-defense.
L: Many people talk about the Feng-style T.,- what do you personally think about that?
F:This movement has started in Shanghai when I was teaching there at university many years ago, and in the meantime has become known all over China, Japan and in the USA. I personally donāt approve of it. Under all means, I am in relation to the line of my master Chen Fake, who has passed on to me the power of the 17th generation to use in the 18th generation. We practise the Chen-style, the oldest historically recorded T. Furthermore the alchemy of T. got deepened through the friendship of two great men, my two masters Hu Yaozhen and Chen Fake. In the fifties they founded a martial arts research society. The Taijiquan wasnāt changed, but the alchemy got deepened and corrected. Hu and Chen both had immense knowledge and enormous talents. Their combined knowledge lead to the fact that the T. of the original school returned to itās proper alchemy and dynamics. As I have mentioned, nothing got added or extracted on a physical level,- we are talking about the T. of our ancestor named Chen Changxin, the grand-father of my master Chen Fake.
Meister Chen Fake
L: The essence of the combined efforts of Chen Fake and Hu Yaozhen flowed into the body of the chosen apprentice Feng Zhiqqian, who in return dictates history as worldknown grandmaster of Taijiiquan and Qigong.
F: is choking and laughing ...
L: The term Hunyuan Taijiquan and Hunyuan Qigong more and more becomes the definition of your art. How did that develop?
F: As you have just been noticing, more and more people talked about the Feng-style Taijiquan, which doesnāt really fit, because we represent the original school of the Chen-family. Besides,- every day new "styles" of T. get created, which is a weird and strange phenomena. Whoever gains real mastery (Gongfu) doesnāt need such outer forms of style. Although one has to say that an inner evolution has been created in our authentic T. through the combined research of Hu Yaozhen and Chen Fake. The person who practices T. should move as naturally as possible, only then one can talk about Taiji and only then it is the real Taiji, since Taiji stands for the creative forces within nature and the cosmos.
When practicing Taiji, it is meant to co-relate with such a creative natural cycle. Whenever these forces are reached, they will direct an inner movement, which then again will direct the outer form. Such a creative force or power is Hunyuan. Hunyuan refers to the untaming and spiralling, cyclical force that enables and moves all life processes. Real T. is therefore not an "acted out" T.,- it is only good, when the dynamics of the spiralling Qi is felt,- then it also becomes visible throught its expressions of smoothness and elegance. The Hunyan must grow. We have to seek it and nourish it. During practice you can realize it more and more. T. is meant to be alive and to be develloped as a natural principle.
L: All around the world you have the recognition of being the only master who uses T. (whilst fighting) in a well accomplished manner. Indeed you make people fly a few yards through the air by invisible yet small contractions of parts of your body. I know the secret. What can you say about that phenomena to everyone else?
F: The answer is nearly the same, but you know the answer through your experience: knowledge and steady practice! People often want to experience a show, but are not able to recognize what truly is behind that one,- namely the cultivation of Life.
L. Not so long ago you have talked about various principles of using energy forces of power, as you have never before mentioned in such co-relation.
F: You mean the different levels (spheres) of receiving impulses of energy. We do have the capacity to transfer energies in a physical form through our bodies, in which predominantly physical laws are being used. The impulse for doing so always stems from Yi, our spiritual potential, and from our potential to visualize and concentrate, as well as from our will. We also can move matter,- and this is what happens in Hunyan Qigong and Taijiquan, through using etheric levels. If we manage to achieve the potential of letting Qi flow through our body in unbroken waves, in order so that we may project it outside of us, then we already have effect upon a directional level of nature and are able to influence matter without using up our own energy. That, as you know is very effective. The third level is Shen, the souls potential. This has effect on all levels (spheres) and also meets up with our dream level. Look, when youāre trying to push me away, I can break your center by changing your stand and center of gravitation through physical laws, thus you will be thrown out of your center. This is Li, intelligent use of power (energy). You are mastering the level of Qi quite well as you are projecting the more subtle light-energies around your body and thuswith are changing the center of gravitation of your opponent. By doing so you will not have a deficieny in energy as happens in the use of the first (the physical level). As your potential is growing to use Shen, you will be able to influence things on a more causal level – the finest and subtlest sphere. We can practise this in Tuishou (pushing hands). You can accomplish the same action with a maximum usage of either physical, energetical or soullike nature. This is a process of maturity, which lasts a whole lifetime. Now in my old age, I occupy myself a lot with it.
L: Recently you have mentioned that you have estinguished animals and demons with your sword-hand (Pointer- and middle finger) whilest dreaming. This would be Shen Gong.
F: Hm,- you could put it that way.
L: Letās return to your life-story. A change of direction happened around the age of fifty?
F: Yes. In the factory, where I worked, a very heavy machine (weighing about 350 kg) was hanging down a lever, under which happened to stand a worker. He didnāt notice that the mashine was about to fall down. I managed to run there, push him away,- and then somewhat succeeded in catching the machine and lowering it to the ground.
L: Upon this action you became famous over night, got celebrated as a hero and didnāt have to be secretive anymore about being a master.
F: A lot changed thereafter.
L: What is the biggest priority in practicing Taijiquan?
F: Continuity. It is of utmost importance that we integrate practising into our daily lifes, so that we may enlargen flexibility and dynamics through Hunyuan steadily. It is like painting a picture into space. If we paint the picture into space only once in a while, its colours fade and we will only vaguely remember how it looked like. If we continously continue painting our piece of art, it will become more and more magnificent and gain substance. Besides, it is very important for the body that the flexibility of the joints and "washing of the bones" is a continous process. If we enlargen the flexibility of the joints through spiraling movements and disinterupt that process often through not having repeated practice and training, we will suffer unhealthy consequences, because a larger space of movement also needs to be nourished. This is the same with everything else. The more we know, the more we have to take care about how to handle that knowledge.
I am not a Qi gong pratictioner so I don't know how much material I will have available here. But I am very pleased to be able to post the following. It is a chapter from Luc Theler's book on Hunyuan Qigong which will soon be published in English. A well-illustrated German edition is already available from NEUE ERDE/Ryvellus publishers. The book includes many diagrams and pictures. You can visit Luc Theler's site at http://www.gongfu.ch/
The following chapter from Luc's book is copyrighted, it is reprinted here with the author's permission:
The fundamental principles of Hunyuan Qigong
The origins of Hunyuan Qigong go back many thousands of years to an era when those who were wise were very closely connected with Nature and themselves. At that time, one was considered healthy when one lived in unity with the cosmos, and ill when one subdued one's own emotions. Animals were not enemies, but rather friends. Nature was not exploited, but rather respected. People schooled themselves in modesty and contemplation and learned from one another. Such Daoistic hermits - who still live in seclusion today in the sacred mountains of China - were the early fathers and mothers of these transformation techniques, which are aimed at living as one with the vast, unfathomable energy of Nature. Following this path of perfecting existence involves the training of the adept's individual perception. The ancient texts could help convey knowledge, but only to the extent that the trainee is prepared to explore Nature and the further development of the teachings prompted by his own creative motivation. An elderly master can die peacefully when he knows that a capable student will continue to research his life's work. In this manner, the teachings of the wise elders have been handed down and refined for countless years and historical epochs to the extent that the masters found potential successors who not only emulated their teachings, but also fostered life in their commitment to creation, to Dao.
The mother of all learning processes for a Daoist is Nature. The natural scientist recognizes Nature's movement according to the law of polarity between the cosmic elemental forces of yin and yang. Thus, the spontaneous naturalness of life - everywhere and in every form - is the fundamental principle of a Daoist.
If you have the inclination, observe Nature when you are relaxed. Have you ever seen a straight rainbow? Have you ever watched a tadpole swim in a straight line? Or perhaps you have seen a straight cloud, a straight tree, a straight snake, a straight ravine, straight water, a straight head or spine or tongue? Everything which truly exists naturally is created in the shape of a wave. Every form of natural movement is like a wave, for everything undulates when viewed physically. Even the movement at the very center of a laser beam is not completely straight. It cannot be, for the laser beam is also subject to the law of polarity and moves in waves, even if this cannot be seen with the naked eye. More about this in the next chapter.
Qi can be best imagined by placing oneself in front of a tree for an hour, remaining motionless and letting whatever happens happen. For one should not attempt to comprehend Qi intellectually, but rather to experience it. Nevertheless, I shall attempt to find a few words to help clarify it. Qi is not anything "new". Qi is a collective term for a communicative sphere in Nature which combines everything on the etheric level and makes an exchange possible at this structural level, just as in astrology, for example, where Mercury can effect the physical as well as mental state of a living being. Qi is a connective term which the breath of the cosmos can be explicated with. Qi, or simply vibrations, does not need to be manifested in a visible form. There are countless types of Qi, depending on the surroundings and context it effects. Thus, we have a certain quality of Qi for each organ in our bodies, since each organ has its own typical character and specific task and consequently, its own energy. Biophotons are an essential component of Qi in Nature because they are the smallest carriers of light, which transfer and exchange light from one form to another. An interesting excerpt from Marcus Schmieke's observation of the human biophoton field illustrates the scientific view of the light of life:
Biophotons are characterized by an extremely high degree of order and can be described as a type of biological laser light which is capable of interference and appears to be responsible for many effects which ordinary incoherent light could not achieve. Its high coherency lends the biophoton wave the capability of creating order and transmitting information while chaotic, incoherent light simply transmits energy. An indication of the coherent characteristics of biophotons is exhibited through experimentally proven knowledge that the so-called induced emission of biophontons diminishes hyperbolically, which illustrates an exclusive characteristic of coherent emission. There are clear experimental indications that biophotons have an important regulating function within the single cells, but also between the various cells. It is possible that the entire living organism is pervaded by a coherent biophoton field, which influences and regulates functions on various hierarchical levels of control and organization. Single cells seem to communicate with one another with the aid of the biophoton field by creating continuous waves. Accordingly, the biophoton field would be a rigidly structured field of information and regulation which combines the single parts of the organism in a holographic manner at the speed of light and coordinates their function with one another. There is a broad spectrum of various frequencies and polarization and therefore, a very high density of information. According to current developments in research, the biophoton wave is emitted from the chromatin of the cell nucleus. Calculations show that the helix form of the DNA molecule exhibits the ideal geometric form of a hollow resonator, which allows it to store light very effectively.
Just as light is stored in the internal alchemy in the cinnabar field - the center of gravitation for the human being - it also occurs in the biochemical processes of the cells and in the macrocosmic processes of the galaxies or in spirals of climatic currents. The body's light of life is contracted, channeled, sublimated and stored at the central continuum of gravity. The cell is called "small space" in Chinese and is a counterpart to space, which can refer to a room or any type of spatial classification. Be it the DNA double-helix spiral or the galactic spiral, a spiral encompasses the energy of creation, just as the embryo, the snail's shell and the sleeping snake are also wound in the spiral of creation.
The Daoist learns from the embryo of a human being or an animal, or from the cat or a sleeping snake, to store energy at the center of the coiling spiral in a restful or sleeping position, or to preserve the energy of life in this position. The material quantity of time and space which is physically or technically perceptible can be deemed unessential when considering the ingenuity of creative constructions. Cosmos is cosmos, whether it be micro-cosmos or macro-cosmos. Space is space, whether it be the synonym for a body cell or for intergalactic space. Energy is energy, whether it be a minute hormone or the sun's power of radiation. When one observes the amazing spiral of a double helix through the most sensitive electron microscope, it is very well possible that in fact, the vastness of a galaxy can be perceived without one's realizing it - for the rule of cosmic synchronicity prevails independent of space, and this is a fractal design. Look at the sky and you will see your inner space. Look into your inner space - and you will discover the sky. The teachings of Dao instruct us: the smallest overcomes the largest, the softest of the soft penetrates the hardest of the hard; the only tangible fact is the void, which subdues our over-stimulation and lies beyond what is happening. It is the void which allows for free perception without ideological taint.
Modern quantum physics, in spite of its intellectual bearing, is gradually converging with the ancient knowledge of the magician: Light is "creative", the cosmos in an unpredictably magical change. Researchers at American universities experimented with dividing and manipulating biophoton light rays by giving the photons alternative choices of direction, reflected above a silver-plated mirror. The result, which was amazing for the empirical researcher and logical for the natural scientist, was that it was not technically possible to predict or manipulate the path of the light ray because natural light has its own dynamics. Therefore, it is the creativity which is capable of collecting the light, the energy, or better said - the spontaneity. Biophotons are so spontaneous that astrophysicists assume that stars very far removed from the earth are seen as double, that the creativity of the universe is playing tricks on us and that because of the spontaneity of biophotons, time and space will be technically unpredictable factors as long as the "cold" and calculating applied science and the "warm" and creative magic of nature continue to be viewed separately. The following is a scientific remark from the renowned physicist, John Archibald Wheeler:
Of all the characteristic features of creation, it is the elementary quantum phenomenon - the most sensational delayed-choice experiment (as briefly described - LT). It reverts back to the past of the apparent opposition of the normal ordering of time. The length of the distance when splitting a ray in a laboratory experiment can amount to 30 meters and last one tenth of a microsecond. The distance, however, could just as well have been millions of light years and lasted years. In this manner, the observing trick in the here-and-now, in congruence with its ultimate effect in one or another unpredictable direction, has an irretrievable consequence of which no one has the right to claim about the photon. For the photon already existed long before any life in the universe.
Daoists - like the Druids, the ancient magicians of Nature - have always viewed the light of creation as something spontaneous and inspiring. A fundamental, but most often ignored characteristic of Qi holds true even today: creativity, the spiral. Spirals, many thousands of years old, are seen by the hundreds in cave drawings in the Cisalpine region, and the same patterns are found in Chartres, the spiral labyrinths - influenced by the Druids - in Brittany, Ireland and Scotland. Such types of "snake universes", as can be seen in the magical diagrams of the Daoists or African shamans, signify the spiral dynamics, the scientifically described "creativity" of the cosmic energy. Therefore, the creative human being is capable of producing the most Qi. For this reason, the practice of an art such as music, poetry or painting was a fundamental component of the education of future priests of Nature both in the Daoistic as well as in the Druid teachings.
Perfect tone, poetry, color, light and vibrations, find your elemental personal expression of creation and perfect your Being through perfecting the arts.
Gravitons are also of utmost importance for those practicing Qigong. They are the smallest of particles loaded with energy which connect and attract us to the earth and the cosmos. How we channel the gravitonal energies will be comprehensively described in the chapter entitled "Alignment". Whoever cannot believe in the all-pervading gravitational forces of the planets and consequently, astrology, need only recall tidal power stations, where the effect of ebb and flow is economically used for energy: turbines are powered by the gravitation of the moon, by the shifting level of water. Immense energies are at play there, but the potential is hardly used; the effect of trillions upon trillions of particles of gravity to which humans are not immune. Thus, we are permeated and surrounded by various forms of vibrations, whether we like it or not.
Dealing with these vibrations - channeling, concentrating and bringing them into a natural balance - is what the term "gong" conveys: more simply described as "work" or more elegantly as "unfolding". There are various examples of living beings in nature which can store Qi as actual "bioelectric" energy and ensure their survival with it. Such wonders of nature are considered role models by Daoists. The study of such wonders has made possible the development of the most diversified life practices.
Perhaps the most impressive animal in this respect is the electric eel. This fish, at times up to two meters long, has organs in which it can store current in order to later paralyze its victims with jolts of up to 600 volts before eating them. Incidentally, long before the time of Christ the ancient Romans also knew about the healing effect of the meat of the electric eels and prescribed it to patients suffering from schizophrenia: thus, an ancient form of electrotherapy.
The deer is another example of the art of concentrating energy. It can let its entire Qi flow over its head, where it concentrates Qi in its antlers just as if they were antennae. The deer is an effortless mountaineer due to the upward movement of its Qi; a mountaineer that moves itself to the top of the mountain, flowing in its life energy, without any perceptible effort. In replicating the upward movement of the deer's Qi, the natural scientist learns how to collect and increase his own Qi above his head in order to manage distances at high altitudes and the gravitational forces of the earth.
Another examples are animals such as the gazelle or even the cat, which can accomplish tremendous leaps by storing and "increasing" their Qi. Cats are masters of Qigong, for these predators are agile and flexible due to the storage, increase and sinking of Qi. Observe how a cat concentrates (Yi), collects its energy (Qi), and then leaps or attacks (fali). When you also consider the fact that cats always land on their feet due to their command of Qigong, you are left in awe.
An incredible amount can be learned from the Qigong of animals. The art of Qigong - and naturally, the matial arts which are based on it - was developed in that way. Unfortunately, the deer's antlers have been commercialized in China as tonic medicines for the above-mentioned reasons and in the West they are considered a coveted hunter's trophy, symbolizing the hunter's virility. In Europe the deer in fact symbolizes the God of the forest, the masculine aspect of nature. It should appear logical as to why this is so: male Qi typifies rising (phallus, antler - rising yang - fire), the female typifies sinking (menstruation - sinking yin - water). When the female aspect is united with the masculine, the great art of circulating energy - the way of Hunyuan Gongfu - is attained.
The primary factor in the Daoist teachings of transformation is as follows: storing, directing, regulating and refining life energy. At the same time, a distinction is made between esoteric and exoteric methods which always pursue the aim, however, of increasing life energies and thereby outwitting physical and/or spiritual death. The oldest Daoistic practice of body transformation is called Yangsheng, which refers to the body and indicates the "food" of the body (bones). Sexual practices also play an important role in it. The physical body, which should lead to immortality, is also included in these methods. The body is not viewed as the Buddhist/Hindu illusion (Maya) but rather as the contrary: as the indispensable laboratory, in order to obtain the elixir of immortality. The religious Daoist who practices Yangsheng transcends the mind through the body in order to experience a psychosomatic enlightenment. In contrast to the Buddhism-influenced philosophical Daoism, where the immortal spirit is striven for, in the very earliest Daoism it is the body, spirit and soul which search - in harmony with the whole - for the freedom of earthly independence.
In Buddhism one strives for a state of enlightenment, which is very abstract in the beginning and through deep meditation appears ever clearer. It is a future state of enlightenment (Nirvana) which the Buddhist searches for through the "purification" of his karma. In contrast, a Daoist himself strives to be spontaneous nature in the present moment and is therefore, with his endeavors, committed to the present.
Immortality should, however, never be understood literally. Everything changes, and so there is no absolute immortality. Above the Daoist immortality, which begins consciously at a physical age of eighty years old, stands the zhenren - the true human being. The true human being is beyond the desires of the dissatisfied spirit, which is ultimately what the idea of immortality can be. Immortality begins when the adept masters the directing of natural powers. It ends when the adept has successfully moved beyond the phase of transforming and storing life energy. Thereafter, the master can concentrate on the phase of the true cosmic phenomenon, which the spirit still bound by material things could not perceive. Immortality in the Daoist sense does not mean, therefore, not an eternal physical life, but rather overcoming the normal span of bodily decline and birth as a conscious being of light.
Yangshen means "food of the soul" and brings about a channeling and sublimation of the etheric vibrations in the body at the mind/soul level, forming the basis for all psychosomatic structures. Yangshen means the above-described term of transformation and freeing of the mind and soul and can, however, also mean the conscious training of the astral body in order to consciously leave the earthly temple at a given time, experiencing physical death as a liberating transition into the astral world. Yangshen focuses mainly on the mind, the soul, philosophy, asceticism and meditation, and in the earlier Daoist Yangsheng described above also on alchemy, magic and geomancy.
The various directions have often overlapped in the course of history. It is said that both Yangsheng and Yangshen lead to the same result of perfection, although the original Daoism and more magically oriented Yangsheng is considered a faster way to "immortality" than the ascetic way of Yangshen, which is influenced by Chan Buddhism. The latter is, thus, the slower, but therefore certain way. The early Daoist Yangsheng unites many shamanic elements of former times.
Three types of Qi are distinguished in the human being. The first is the prenatal Qi, which is produced from our genetic code (Jing) and gives our body its individual characteristics. In the second, we have the "acquired" Qi, the life energy, which we develop by eating and breathing. The third is the etheric Qi, which we produce through our thought and concentration potential. Qi is a term for the etheric life energy which contains life-giving light in various frequencies. The authentic teachings make it possible for the adept to synchronize the three circles of human vitality and thereby to harmonize them, thus enabling sheer vitality to unfold.
Hunyuan is a Daoist term which is difficult to translate, but which can best be imagined as the nucleus of a human cell. The chromatin, the genetic code which moves chaotically, that is spontaneously, is like prenatal chaos - the "primary mass", the cosmic primordial ocean. In this prenatal and chaotic state the chromosomes are invisible, intangible. When cells begin to divide themselves, two energetic poles are created, and the previous "chaotic" chromatin begins to spiral toward the poles until the poles have gathered enough energy to produce a single cell. Hunyuan depicts this moment where the primary mass, or the "absolute highest" (Taiji), creates the polarity and appears in various forms only to ultimately return once again to the whole. Hunyuan is the sacred process of the creation of a form which is created from the void. Thus, what is typical of Hunyuan is that these processes flow in an extraordinarily circular manner. More about this in the next chapter.
If Qi were defined as the universal energy, there would preferably be two fundamental characteristics to emphasize: the tangible and the intangible energy. I previously mentioned coherent energy, which affects the targeted steering mechanisms, and the chaotic, incoherent form of living light, which merely transmits energy.
For the sake of simplicity, I would like to return to the illustrative example of the body cell. I equate the chaotic and intangible "primary Qi " in the cell nucleus - the chromatin - with the masculine aspect of the cosmos: the Dionysian, ecstatic, dancing and occasionally also aggressive universal energy which embodies rage, which powers the heartbeat, the dance of the stars and the hormones, the sensuous feast, the overflowing, ecstatic and unlimited principle of Cernunnos, the Lord of wild things in the Celtic tradition, or Pan, the Pan Gu, who bursts out of his eggshell in order to lend his driving energy flow to building of the world. This Dionysian, unrestrained Qi energy is without a doubt yang; illuminating, rising, overexerting, productive, unlimited, but over-extravagant in its boisterousness - fire. The necessary Apollonian complement to the universal Qi is the "soft" spiral female energy, which extinguishes the unrestrained male fire, the spiral of creation, the security of the ovum - the amniotic fluid, the constructive, creative moment, the very essential "sinking" of Qi in Qigong and Taijiquan, the comforting rain after the storm. The authentic Taijiquan unites these two principles most aptly; carried by the spiral movement of the waves in the water, the escalating whirlpool of the masculine surge is created, only to continue flowing in the perpetual stream.
Authentic Yangsheng, the original Daoist teaching of ultimate health, goes back to the initiation of emperors. According to tradition, Emperor Qin (221-207 B.C.), who united China, was led to the mountains of Kunlun in order to undergo the initiation rites in solitude, thus remaining true to the rule of the Emperor of the sky. Xi Wang Mu, Queen Mother of the West, one of the most important Daoistic deities, Mother of the stars and Western paradise, is the keeper of the divine peach which leads to immortality. It was the "Goddess", the female aspect of Nature, which signified initiations in the cosmic teachings, also during the time of the sons of the sky - the emperors.
The lesson of the peach is, like all myths, to be understood symbolically and depicts the initiation in the pure fruit. The divine fruit ripened into the elixir of immortality every six thousand years. The Daoist priests and priestesses were seen as the keepers of the sacred knowledge of the Emperor of the sky at that time. The priesthood was the earthly family of immortals on earth - the Emperor of the sky - and therefore, also the educators and mentors of the offspring of the sky - the emperors.
The initiation and the magic of these strictly secret rites conceal the essence of the three circles in their core. The notable ancient Chinese medicine, which was reserved only for the priesthood and the imperial family, is based on the three circles. These three circles are connected, on the one hand, with the lunar cycles (namely with the waxing, full and new moon as well as the waning cycle), and on the other hand with the three centers of energy (the lower, animal, earthly cycle which creates sexual energy; the middle cycle which directs the actual human level; and the upper cycle which directs the mental level). The meridians of the body are secondary and subordinate to these three cycles. We work mainly with the lower cycle in this book - the gravitonal center of the being - although the other two are referred to again and again. The exercise for "opening the earthly gate", described in following chapters, corresponds to the lower cycle, the "expanding of the middle cycle" to the middle cycle at the level of the solar plexus, and the exercise called "the cycle of the eye" to the upper cycle. Ultimately, the essence of this emperor's schooling is to bring the three cycles into synchronic vibration. Only when these three spheres of human life are balanced and connected, can true and complete health be spoken of, and only then is one actually in the position to enter into the fourth cycle, the fourth dimension. You may gain insight into this mystery in my book entitled "Die Kreise des Goldenen Drachen".
The teachings of Hunyuan Gongfu go back to this time of unspoiled Daoism. Authentic exercises for health and the training of the martial arts, which are based on the observations of animals and natural phenomena, go back in history to the very first origins of man. Yangsheng - the teaching of transformation - and also Taijiquan, Xingyiquan and Baguazhang, in short the internal martial arts, are the conversion into practice of these mysteries, which are only seldom found in their pure form in today's world. It is interesting to note here that the continuing history of Daoism - for example, in the monasteries in the Wudang mountains, the sacred mountains of the Daoistic martial arts and magic - arose from the rebellion of the peasants who no longer wanted to live under the oppression of the imperial family and fled to the mountains. Daoist hermits and - according to the legend - the masters rising to the seventy-second rank took them in. The result was that one of the most important spiritual centers of China was created on the mountain crests. The peasants were assimilated through the energy of the sacred mountains and later formed the priesthood which has lasted until today. The many thousands of years of China's history gave this land the widely diverse, and at times (for the Western mind) controversial periods of culture and empirical science.
Today, the exponents of Qigong, also well known to the Western world, are the exercises of the legendary doctor and master Hua Tuo, who lived toward the end of the Han dynasty from 141-203. Hua Tuo is considered one of the fathers of Chinese medicine; it is said that he lived on the Huashan, at times as a hermit, where he tested the effects of medicinal plants. The "exercises of the five animals", an actual original form of Qigong, which is later described in the chapter entitled "The Eight Wonders of Dao", leads back to Hua Tuo. But also here the historiography is insufficient, for it is certainly an unlikely assumption that Hua Tuo learned medicinal properties of plants as well as Daoist Qigong from the priests living there, for they had already practiced such systems since ancient times.
Another well-known Master of Qigong recorded in history was Quan Zhongli (608-905). He is considered to have been a great Daoist magician and is reported to have created the "eightfold brocade exercises" - "Baduanjing" in Chinese - which are widely practiced today around the world due to their simple movements. They are, however, most often only very superficially exercised because today's "adepts" lack the magical understanding of Nature. At this time of the Tang dynasty, exceedingly diverse methods of the martial arts and body transformation were created.
Daoists did not usually subordinate themselves to an earthly authority, but rather were bound only to Dao. If an emperor were of pure heart, they supported him, if not, they attempted to bring him to the right path, for he was considered the son of the sky. But ultimately it was all the same to the Daoists that they were left in peace to explore the cosmos and immerse themselves in meditation.
In the eyes of many Chinese, the Daoists are only good-for-nothings who are a burden to society, for they do not earn money and, except for quite a few gifted artists among the priests and priestesses, rely on support. On the other hand, since the founding of Zhenyipai, which allows the combination of a secular and spiritual life, there have been tremendously wealthy business people and Daoist Free Masons who have influenced the business world in all of Asia and more recently the entire world. These circles support the monasteries and the thousands of priests and priestesses who live in seclusion. Many hermits do not, however, wish for support in the form of safe ladders that lead up the vertical rock faces in the mountains to the caves and simple dwellings of the masters. They also do not want the institutionalized delivery of food and mail, which limits their spiritual and ritual freedom and leads to a comfortable structure of dependence. The simplified paths also lead the novice pilgrims to the masters. Many priests saw themselves forced to recede to the highest mountaintops in the most remote and inhospitable regions due to the global complexity of materialism.
Hunyuan Gongfu stems directly from the roots of Daoism, and has maintained an uninterrupted lineage from master to student up to today. I have taken on the responsibility of carrying on the lineage properly from Feng Zhiqiang, who still bears the magic of ancient China.
The origins of Hunyuan Qigong stem mainly from the "Art of form from the power of the mind from the six treasures of unifying the heart and concentration (Liuhe Xinxingyiquan)", the origin of the later Xingyiquan from the alchemic internal schools of religious Daoism, the Daoyin; the evolving of the "exercises of the five animals"; the breathing and meditation techniques of "Tuna Fa"; and the " The art of Taijiquan" from the authentic Taijiquan. Through my own personal explorations in all modesty, there are additional alchemic elements which have sprung from the origins of the Taijiquan, the Wudang pai, the school of the polar star as well as the Huashanpai, the celestial axis, the secrets of the sacred Chinese mountains. In their original form, which hardly exists today, these ancient Daoist life practices include not only medicine and martial arts, but also the systems of transformation, which cover all areas of life - the arts of changing resonance, vibrations. Strictly speaking, the term Qigong is only partially true, for one could just as well mention Neigong, Gongfu, Jingong or Shengong. You will learn the reason for this in the course of the book. In summary, one can label all these levels as internal mastery - Neigongfu.
Carrying over the authentic systems to today is without doubt a wonder when you think what the world has experienced recently. Vegetarians, for example, were considered counter-revolutionaries and thus, interrogated and tortured during the cultural revolution in China. Healers and masters of the internal martial arts as well as priests and monks, when recognized as such, were banished in re-education and disciplinary camps. My elderly teachers experienced this no differently. Under the Nationalists before them, it must have also been dire.
The key figure of today's Hunyuan Qigong is the Grand Master Feng Zhiqiang from Peking. He entrusted to me the continuation of his ancient, almost extinct traditions into the future. His most important teachers were Hu Yaozhen, gifted healer (doctor), and Master of Liuhe Xingyiquan (1890-1973) and his friend Chen Fake, the legendary Master of Taijiquan (1886-1957).
My spiritual father, Grand Master Feng Zhiqiang, is in his seventies and in the best of health (he is still without gray hair), and one of the most well-known and important masters of the martial arts and Qigong in the world today. He is, for example, the official head of the Chen-style Taijiquan, the authentic shadow boxing. Feng Zhiqiang is one of the few people in this world who, as a bearer of culture, carries the legacy of the wisdom of thousands of years of history. A master of an extinct art - which I, as his successor, will carry on in the uninterrupted line of transmission in remembrance of the countless ancestors and in honor of and gratitude to all masters.
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1. Xu Ling Ding Jin - Elevate the Crown to Lift the Spirit
Emptying the thoughts and raising the head as if the crown of the head is pressed up against the
heavens. The neck must be straightened to allow the head to be raised and vertical. This allows the
spirit and chi to arrive at the crown of the head. No physical strength should be used, as physical
force will cause stiffness and also hinder the blood and chi circulation. One must have natural intention
of emptiness in the mind.
2. Han Xiong Ba Bei - Hollowing the chest to raise the back
Hollowing the chest will help to sink the Chi down to the Dan Tian point. It is imperative not to expand
the chest as this will raise the Chi to the chest, causing top heaviness and the heels to lift. To
raise the back is to allow the Chi to adhere to the back. If one hollows the chest the back will rise
naturally. With the back raised, one can project the Chi from the spine.
3. Song Yao - Loosening up the waist
The waist is the commander of the body. When one is able to loosen up the waist, this will increase
Chi energy in both legs and thus provide a stable base for firm rooting. Changes from substantial to
insubstantial or vice-versa are derived from the movement of the waist. There is a saying that the
source of Chi energy is from the waist, therefore if one lacks strength, one should pay more attention
to the waist and the lower limbs.
4. Fen Xu Shi - Distinguishing between substantial and insubstantial
When one`s weight is on the right, the right leg becomes substantial and the left leg insubstantial, or
vice versa. When one is able to distinguish the difference, one will be able to turn and move with
lightness and effortlessness. If not, any steps will be sluggish and unstable and can easily be unbalanced
by others.
5. Chen Lian Zhu Zhou - Sinking the shoulder and weighting down the elbow
Sinking the shoulder is to let the shoulder loosen up and drop downwards. If not, both shoulders will
rise causing Chi to rise with them. No strength can be exerted from the body if this happens. Weighting
down the elbow is to let the elbow drop and hang loose. If the elbow is raised, the shoulders will
have great difficulty in sinking, thus affecting the strength of your internal power, and you will not
be able to throw the opponent away. This is similar to what is known as `stifling the power` in external
martial arts.
6. Yong Yi Bu Yong Li - Using Yi, or intention, and not physical strength (Li)
For practitioners of Tai Chi Chuan, the whole body must be relaxed so that no physical strength remains
within the sinews and bones to restrict one`s power. Only then will one be light and flexible,
and move accordingly. One might doubt how one could develop such power without using physical
strength. It is because the human body contains meridians, which enable the flow of Chi. When
physical strength is used, this will cause the blockage of Chi in these meridians and result in sluggish
movements. Any movement in a small part of the body will affect the whole body. Using the mind or
Yi, Chi will flow to where it is directed. It also helps the flow of both blood and Chi circulation and
strengthens the body.
7. Shang Xia Xiang Sui - Co-ordination of both the upper and lower body
In accordance to Tai Chi Chuan theory, rooting is from the legs, the command from the waist, and
expression through the hands. From legs to waist, there needs to be unison of movement. The movements
of hands, waist and legs will also be followed by the intention in the eyes. This is regarded as
the complete co-ordination of above and below. If one of these is missing, the move becomes fragmented.
8. Nei Wai Xiang Ge - Internal and external in togetherness
The training of Tai Chi Chuan is in the spirit, hence spirit is the commander-in-chief and the body
will move as directed. When the spirit is raised and movements become light, the form consists of
open and close - open means not only opening the hands and legs but also includes the mind within
it. When closing, it should be the same. Therefore, there is no gap between the external and internal
and they should be in unison.
9. Xiang Lian Bu Duan - Continuity without breakage
In external martial arts, the power used is only physical strength and therefore there is a start and finish
to it. In between is the break where the strength from the previous move is finished and before
new force is issued, which is the weakest point and can be easily exploited by the opponent. Tai Chi
Chuan uses Yi and not physical strength, hence the move becomes continuous without ending, like a
roaring river without ceasing. When in circulation, the Chi is described as like drawing silk from a
cocoon, to signify the continuous flow of movement.
10. Dong Zhong Qiu Jing - Seeking stillness within movement
In external martial arts, power is generated by jumping, punching and kicking as hard as possible.
Hence after prolonged practice, one is panting for breath and at times the blood vessels are enlarged.
By contrast, Tai Chi Chuan emphasises stillness over movement. Even though in motion, the form
appears to be tranquil. Therefore when practising, the slower the better, with long deep breathing, to
allow the Chi to sink to the Dan Tian point and thus prevent one from over-exerting oneself physically.
THE TEN ESSENTIALS OF TAIJIQUAN
Narrated by Yang Cheng Fu (Recorded by Chen Wei-ming)
(1) Straightening the Head
Stand straight and hold the head and neck naturally erect, with the mind concentrated on the top. Do not strain or be tense; otherwise, the blood and vital energy cannot circulate smoothly.
(2) Correct Position of Chest and Back
keep chest slightly inward, which will enable you to sink your breath to the dan tian (lower belly). Do not protrude your chest, otherwise you will feel uneasy in breathing and somewhat "top heavy". Great force can be launched from the spine only when you keep the vital energy in your lower belly.
(3) Relaxation of Waist
For the human body, the waist is the dominant part. When you relax the waist, your two feet will be strong enough to form a firm base. All the movements depend on the action of the waist, as the saying goes: "Vital force comes from the waist." Inaccurate movements in taijiquan stem from the erroneous actions of the waist.
(4) Solid and Empty Stance
It is of primary importance in taijiquan to distinguish between "Xu"(Empty) and "Shi" (Solid). If you shift the weight of the body on to the right leg, then the right leg is solidly planted on the ground and the left leg is in an empty stance. When your weight is on the left leg, then the left leg is firmly planted on the ground and the right leg is in an empty stance. Only in this way can you turn and move your body adroitly and without effort, otherwise you will be slow and clumsy in your movements and not able to remain stable and firm on your feet.
(5) Sinking of Shoulders and Elbows
Keep your shoulder in natural, relaxed position. If you lift your shoulders, the qi will rise with them, and the whole body will be without strength. You should also keep the elbows down, otherwise you will not be able to keep your shoulders relaxed and move your body with ease.
(6) Using the Mind Instead Of Force
Among people who practice taijiquan it is quite common to hear this comment: "That is entirely using the mind, not force." In practicing taijiquan, the whole body is relaxed, and there is not an iota of stiff or clumsy strength in the veins or joints to hinder the movement of the body. People may ask: How can one increase his strength without exercising force? According to traditional Chinese medicine, there is in the human body a system of pathways called jingluo (or meridian) which link the viscera with different parts of the body, making the human body an integrated whole. If the jingluo is not impeded, then the vital energy will circulate in the body unobstructed. But if the jingluo is filled with stiff strength, the vital energy will not be able to circulate and consequently the body cannot move with ease. One should therefore use the mind instead of force, so that vital energy will follow in the wake of the mind or consciousness and circulate all over the body. Through persistent practice one will be able to have genuine internal force. This is what Taijiquan experts call "Lithe in appearance, but powerful in essence."
A master of Taijiquan has arms which are as strong as steel rods wrapped in cotton, with immense power concealed therein. Boxers of the "Outer School" ( a branch of wushu with emphasis on attack, as opposed to the "Inner School" which places the emphasis on defense) look powerful when they exert force, but when they cease to do so, the power no longer exists. So it is merely a kind of superficial force.
(7) Coordination of Upper and Lower Parts
According to the theory of taijiquan the root is in the feet, the force is launched through the legs: controlled by the waist, and expressed by the fingers; the feet, the legs and the waist form a harmonious whole. When the hands, the waist and the legs move, the eyes should follow their movements.This is what is meant by coordination of the upper and lower parts. If any one part should cease to move, then the movements will be disconnected and fall into disarray.
(8) Harmony Between the Internal and External Parts
In practicing taijiquan, the focus is on the mind and consciousness. Hence the saying: "The mind is the commander, and the body is subservient to it." With the tranquility of the mind, the movements will be gentle and graceful. As far as the "frame" is concerned, there are only the Xu (empty), shi (solid), kai (open) and he (close). Kai not only means opening the four limbs but the mind as well, and he means closing the mind along with the four limbs. Perfection is achieved when one unifies the two and harmonizes the internal and external parts into a complete whole.
(9) Importance of Continuity
In the case of the "Outer School" (which emphasizes attack) of boxing, the strength one exerts is stiff and the movements are not continuous,but are sometimes made off and on, which leave openings the opponent may take advantage of. In taijiquan, one focuses the attention on the mind instead of force, and the movements from beginning to end are continuous and in an endless circle, just "like a river which flows on and on without end" or "like reeling the silk thread off cocoons."
(10) Tranquility in Movement
In the case of the "Outer School" of boxing, the emphasis is on leaping, bouncing, punching and the exertion of force, and so one often gasps for breath after practicing. But in taijiquan, the movement is blended with tranquility, and while performing the movements, one maintains tranquility of mind. In practicing the "frame," the slower the movement, the better the results. This is because when the movements are slow, one can take deep breath and sink it to the dan tianPractitioners of taijiquan will get a better understanding of all this through careful study and persistent practice.
From a speech on February 1956 by Master Li Ya Xuan
āSo subtle; so subtle; as if there is no soundā
āImmortal; Immortal; as if there is no shapeā
Prior to producing momentum, the body gesture should be stable and the balance completely centered. The mind and body should be relaxed. There should be no hesitation, no rigidity. Remove all distracting thoughts from the mind and allow the return of the body gesture to that state of being natural. With this, you can start to move.
When moving, use your heart/intention and qi to do the moving, to do the operation. Use your spine and waist as an axis in producing the boxing sequence. Your moving momentum should be like that of a moving cloud, like running water, like pulling a thread, and like a hanging thread. Usually twenty minutes to a half hour is about right to complete the frame. After practice your mind and spirit should feel uplifted; your mind and perception, clear. This will show that your practice is on the right track. Once you reach this level, you should quietly reach awareness. Reaching this level is really not difficult. Avoid rigidity and hardness in the body. Avoid moving the four limbs independently, by themselves. Use your intention and qi to carry the movement. The whole body should be relaxed. Sinking your qi and momentum to the lower place is taiji's correct rule. I (Teacher Li) have often seen taiji practitioners allowing their four limbs to move completely by themselves and to move without guidance. This may look fancy but it is a mistake.
After practicing awhile you should feel your palm and the inside of your fingers, i.e., the belly of the fingers, should feel the fullness of qi and intention. This proves that qi and blood have already reached the tip, the recesses, of your body. Based on this achievement, if you continue to practice your skill, you will eventually, spontaneously reach the level of awareness and connection. If you practice for a lengthy time without being able to feel this sensation, that means that your qi and intention and skill frame are incorrect. In that case, you should immediately seek a good teacher to guide you further, otherwise, if you continue to practice incorrectly too long, it will not be possible to ever make the corrections needed.
Use your mind to operate your qi. Use your qi to operate your body. Use your eyes to look inside, to sense how the body and the mind are connected; to see how your spirit and qi are relaxed. After awhile, you will automatically reach the level of unity of inside with outside; unity of upper with lower. If you pay attention only to the external skill movement, you are focusing only on external skills. Your spirit and intention should stay inside to facilitate, to reserve the quiet energy. When you use energy, the correct method is to have a harvest before you start. Remember, every movement should be clean and relaxed. With this your perspicacity, alacrity, and flexibility can grow. Avoid becoming angry and displaying combative signs such as clenching teeth and staring angrily with your eyes. Those intentions and mannerisms are harmful; avoid them.
Some may ask, "If you do not have intention during the practice, when you need it during combat, how can you then use it?" Actually, practice is the time for building and accumulating your qi and spirit. If you consolidate your qi and spirit, when you need them, they will easily come out. If during practice you become extremely angry and show such energy and qi externally, you will exhaust your qi and spirit. In this case, since your qi then cannot accumulate when needed, you will not have a sufficient supply to be able to make a truly surprising movement.
Your upper body should have an empty and flexible spirit. Your middle body should have the energy of the waist and spine. Your lower part should have the qi of the dantien. These three parts are combined. The external and internal are connected. With these your movement will be appropriate. Everything should be natural. Do not pay attention to any single, particular part of your body. If you think only of sinking your qi then your qi will hesitate. If you think only of making your spirit higher, of lifting up your spirit, your spirit will be restricted. That is not a Taoist natural quality.
What do we mean by empty, flexible, top of head energy? This means when your body gesture is comfortable and straight, settled, your empty, flexible qi will automatically reach the top. This is not something you can simply, intentionally cause by thinking a force to the top. If you intentionally use force to reach your top, you will have the characteristic of being straight and hard but without the empty and flexible. Intentionally, trying to force a quality is something that must be avoided in acquiring taiji skill.
To practice taiji skill, you should first rely on a good teacher to show the use of these skills. Secondly, you should understand the theory of the great Teacher Chang San Feng and Wang T'sungYueh. You should have no distraction during the practice, otherwise, you will go the wrong way. In addition, when you do taijiquan you should not practice external skill boxing, otherwise, your effort will be without achievement.
This skill is called "relaxed and flexible energy". Therefore, when you use this energy there is no sound. When a person is hit, externally there is no sign but internally, the penetration has already been made. The external skill is a so-called tense and hard energy. When this is used, you hear a "thump", "tung", "whap" sound. When a person is hit, externally they show a red welt, or a red and blue wound but internally there may be no penetration. Some say that the taijiquan skill must be combined with other skills in order to be useful. This really shows their lack of true teaching, of true learning of taijiquan. This person does not understand taijiquan theory and really is showing ignorance.
When people first learning the boxing frame, within a few days they will feel muscle pain in their legs. After a month, they may feel knee pain. After that they may feel some shoulder soreness. Learners should not be surprised with this. This is a natural process. This also is how a good teacher gives correct guidance. Continue the practice and the soreness and pain will heal. Later, your skill will be much improved. If people fear soreness and pain and then stop practicing, only to re-start after the pain goes away, thus are only doing a sporadic, start and stop practice, they are really wasting their time.
If you learn taiji boxing but never feel any leg pain, knee pain, or shoulder soreness, then the teacher is not giving correct guidance. You must select another teacher, a good teacher.
When you relax, first relax your mind. This is most important because the mind is the host of the entire body. After the mind is relaxed, the whole body then also is relaxed. If you use your mind to influence the body after awhile you will automatically achieve real relaxation. This will allow production of your internal energy.
The whole body, the qi, and momentum should be relaxed and open. With this the empty and flexible can reach the top. Every movement is like that of a river and the sea. Every step is like that of a cat. The lower and upper should follow each other. Inside and outside should cooperate completely with one another. With this, internal energy will be produced.
When doing the skill, do not just move your four limbs. Rather, use your mind to move them; use your qi to carry them; use your waist to guide them; use your intention to induce. With this the upper, the lower, the internal, and the external can become connected by one qi; this is needed.
If you make even just a single gesture, not only must your four limbs open but also your mind, your intention, your chest, should be closed first; then all open together. All movement always starts from inside and goes towards the outside. This is why taiji is called an internal skill, an internal kung.
Internally you should use your mind and intention as the host, the head. Externally you should use the waist and the spine as the axis; be completely centered. Internal/ external, upper and lower parts all become one. With this there is something whose wonder is beyond understanding.
Seek coordination of the upper and lower. This is the beginning step of practice. Next, try to sense gingerly, look for something very light, flexible, like cotton - soft. This is the middle level skill. Finally, seek the empty and nothing in there. This is the last research focus. When your body is light and flexible, there is still something there. If you reach the level of empty and nothing, then actually everything will follow your intention. This really is reaching the most wonderful, mysterious level.
When Teacher Chengfu pushed hands and used his launching energy, his eyes would give a certain extremely stern and dark look that caused fright. The opponent then would feel stunning surprise and deep fear of loss of life or eminent death. This shows how the spirit and body can become one within a moment, how the whole body force can be mobilized, concentrated, focused and produced within an extremely short period of time. Because this happens within the briefest of moments with the quickness of a thought, so suddenly, the opponent is not able to make a defense. Besides that, there is no way to defend against this.
Everyday, when we practice, we practice slowly. This slow practice helps accumulate the spirit, qi, and intention. This is how the internal and external cooperate to show such wonder. If you practice too fast, not only will you not accumulate spirit and qi but, internally and externally, the parts cannot cooperate to the appropriate degree needed. Therefore, even if you do the launching energy, it will not be full. In addition, neither will your force be capable of surprise.
When the whole body relaxes, the upper and lower parts must be completely relaxed. This is one of the necessary conditions of taijiquan. If your movement is not complete, or is complete but not relaxed; or if you only relax your shoulder but your waist, kua, belly, and back do not know what is relaxed; or after practice, your palm does not feel inflated, then this shows you did not have the right teacher. I have often seen practitioners shake their body and make lots of sounds. Their heads are like those of sale-pitching people, swollen, manicured, proper, everything in place, and with a look of arrogance and a condescending attitude. They think taiji only "talks" about being soft and does not "speak" of force. Actually, these types of arrogant, over-confident people do not know that taijiquan has it's own theory and can only be learned from a teacher. It is not something you can learn by mere observation. Taijiquan is not something you can just figure out by yourself at home.
In the practice, you should feel the whole body relax and also feel the movements being clean. If the whole body is stable and sunk then the whole body will be comfortable and connected. In every movement you should quietly think of how to use your intention, of how to send your intention to the other's body, and of how to enter inside the other's body. With this method, after a long period of practice, you will see progress.
When your spirit and qi return inside and are reserved in your bones, the whole body will be full of empty and flexible qi. If you then want to be light, you will be light; if you want to be heavy, you will be heavy. For skilled people who feel light - it is as if there is nothing there. For skilled people who feel heavy - it is as if the weight would break a mountain.
This is how you should practice your essence and transform your qi; this is how you then practice your qi to transform your spirit. Upon reaching the spiritual, you can reach the level of emptiness. To reach the level of empty and flexible, you must start with being solid. If you want to be light and quick, you must start with being heavy and stable. After you practice the skill for quite a long time, you can then reach the level of extremely light, extremely quick, empty, and flexible.
In the very beginning, if you try too soon to acquire the empty and flexible, light and quick, then your whole body movement will be full of confusion. If at the very beginning, you talk too much of empty and flexibility you will then acquire floating and be of no use. In taiji these types of people are the so-called "those who do not go out of their house for ten days." Actually, if you do not have a true teacher, a truly good teacher, ten years, or even after all your life you will not be able to "go out of your house" with the skill.
Taijiquan is a skill of reaching a maximum result via a minimum movement. When they move the hand, there is no comparison. They are empty and wonderful. All phenomena are incorporated therein. Regardless of how the other attacks, I rely on my empty and flexible qi.
I can change according to any opportunity presented. I can follow the momentum and respond accordingly, appropriately. Each and every response is just right. People should not focus merely on just one gesture, just one hand. If they do that they will miss the larger picture. If you use the great Dao (Tao) to connect every movement, to learn just one thing really, really well then everything will be okay. If you only think of using one gesture, one momentum, one qi, then the 10,000 changes are always possible. The intelligent person will do that.
Li YaXuan
Teacher Li YaXuan was senior, early disciple of the profound master Yang Chengfu. Teacher Li later taught government and military officials frankly and was highly respected by all for his unselfish attitude, high martial ethic, and high level skills. When reading the late Teacher Li's descriptions, his excellent martial ethic, a critical key to receiving profound knowledge, soon becomes crystal clear. In fact, in one descriptive story to be shared later, his ethic and morality is both emotionally touching and nearly beyond normal comprehension.
Within the following explanation Teacher Li discusses the highest levels of achievement in taijiquan, namely, acquiring levels of awareness, achieving the light and flexible skills, and finally, acquiring the empty and flexible qi. In earlier times, taiji at these levels was also called "qi boxing" or "spirit or immortal boxing". Li YaXuan was born in 1894 and died in 1976. He was an ardent, devoted student of Yang Chengfu and, although much lesser known in the west, he was actually senior in all aspects to better-known non-family students established in the USA after 'liberation'. Teacher Li also knew and taught in association with Yang ShaoHao and was associated with and taught at the highest level of martial art in China
There are five taboos of practice in the acquisition of this skill:
1. Those not selecting the right teacher enter the wrong school and the external skill tops and is dominate. Once acquired, this habit, even if the learner later meets a truly skilled person, will be ingrained and not be correctable for internal use.
2. Those not believing their teacher strongly, completely enough. They do not completely follow the teacher's theory of practice. These people pretend they are smarter and think east, think west, and attempt to use other theories in combination with this skill. Their minds and spirits become a mess. All sorts of problems manifest. These problems are extremely difficult to correct.
3. Those who indulge in bad habits like smoking, gambling, and prostitution. These exhaust energy, qi, and spirit. They confuse minds. These people will never understand and can never reach a good level of awareness.
4. The over-practice of external family skills, hard skills, like breathing qi, making strong, exertion and effort, and the clinching of teeth. Intense staring with the eyes, making the belly full and then striking the belly. The use of an instrument to hit the body or the use of a hammer to hit the head. These hard, external practices and abuses severely harm and deaden our most valuable nervous system. This causes parts of the nervous system to become numb, deadened, and to be without awareness. People who have done this type of training cannot reach good levels of taijiquan practice.
5. Those people who only learn a little bit of taiji then leave their teacher and go out and show off in front of other people in an attempt to falsely gain respect. These types of people are often induced into learning other types of skills. Theirs is a show of mere ego, not skill. After they start on the wrong path, they can never be corrected.
The above five types of people are those who cannot reach the awareness level of taji. The true skill, the main skill, is to make your mind clear, and to focus your mind. But in order to clear your mind and to concentrate, to focus, you should first become very stable and very quiet. Only after becoming quiet can you become clear. At that point you can focus, meditate. This is the way to reach awareness. After achieving beginning awareness, you can reach an even higher level of awareness. You can then reach understanding. Later, you can reach the level of precise understanding. So, if you want to clear your mind, before settling your mind, you must have the intention of restoring your mind to the state of being without thought; your body without action; to feeling no body, no mind. Once reaching this state of "no action" your mind is able to become enlightened.
After reaching enlightenment, any awareness, any sensation, any perception of conscious is that claimed by the scholars of Confucius. That consciousness does not come from continual thinking. If you use your mind to think of penetrating a wall without a door, you just visualize going through the wall; if you think of working in poison ivy, you visualize just passing through as if there is no road - if you practice in this manner, the more you practice this way, the farther you will be from taijiquan. A true teacher is needed.
In practicing taijiquan, you need to be quietly contemplative while practicing the operation. If not, you will not be able to understand what is correct. If you do not practice, then your arm, your whole body, will not be able to follow the mind to move. Therefore, the two aspects must be done together. This means you cultivate both your mind and your body. If you just spend time vigorously, physically practicing, working the body, even if you make your tendons, your bones, your skin, and your flesh suffer, your mind and spirit will only be confused and, although you may sweat profusely, you will be wasting your energy, your qi, and your spirit. You will only harm your attempt to acquire the internal skill. You will receive little real benefit.
Cultivating the empty and flexible produces a high spirit, alertness, readiness, eagerness, perspicacity, high energy, and profound judgment. This keen judgment then used to acquire awareness of internal boxing's method. If you use these methods to defend yourself, you will have an excellent self-defense and you will also be able to handle any bully. If you use this skill in business, you will understand the business very clearly, with perspicacity, and will always succeed. If you use this method to cultivate your body, you will achieve longevity beyond that normal.
This skill is made up of three aspects: your spirit, qi, and body. The main emphasis is on enhancing your spirit. Afterwards comes the practice of qi. Last in importance is the practice of your physical body.
What is the meaning of spirit? Spirit here refers to something in addition to our whole body, it is empty, it is flexible, there is momentum, a function of mind, and controller of intention. The movement cannot be predicted, thus, in addition to the flexible, there is quickness and the concept of changing. Spirit is really not involved with clenching of teeth, intensely staring, or the use of physical effort to produce qi.
What is the meaning of qi? qi may refer to breathing. It is that that sinks downward when you acquire stability. It is not something seen in muscle or use of effort to breathe. The body is stable and comfortable. Movement should be flexible and light. Merely taking a standing position to strike sand bags, beating the body, or striking objects with the hands will enhance neither spirit nor qi. Those people who practice the spirit cannot be without qi and the body - they have all three. Rather, there is merely an emphasis on spirit development. For those people who merely practice qi, they may have some qi, they may have some body, but their spirit is lacking. Those who only practice the body aspect also have some spirit and some qi, however, they cannot completely know the wonder of the spirit.
In the practice, if your intention does not completely reach the breadth of your mind, your body gesture cannot be relaxed. Without proper relaxation, the upper and lower will not follow or be coordinated. Thus, your internal and external cannot match. Then your breathing may not be comfortable. At this point, with these problems, you should seek a good teacher for guidance otherwise, you will harm and worsen your practice.
If the mind thinks of relaxing after awhile the body gesture will also relax. Every movement should be followed by heart and qi. Then your four limbs will follow nature and the internal/external will become fit. With this your boxing intention can reach your hand. Stillness and contemplation will allow you to reach the level of your mind controlling everything. Everything should follow slowness, being stable, being quiet, and reaching stillness. If the mind is not clear and the qi floats, the more you practice with these illnesses, the farther you will go from boxing's intention. In this case, even if you practice like this for your whole life, you qi will not reach your hand. Learners should persevere, should have talent, and should have a true teacher in order to achieve success. Even with these qualities, in addition, the teacher and theory must be respected. With all these present, perhaps in one or two years you may reach some success. However, if you leave the teacher too early, you may have some problems and attain no awareness. One way to avoid this is to be open, to sense how the body and mind are connected. Quietly think about what the teacher advised you about the practice. Also, think of and visualize how the teacher practiced the gesture. With this your problem may not become too deeply rooted. Otherwise, if you make just a small mistake early there will be no end. It is like a horse without a rein, it cannot be guided.
People's practice problems may be visible or invisible. The visible problem is easily corrected, however, those invisible are very difficult to rectify. For example, some of these types of problems may be the hand and the feet being high or low, or not in balance, or not matching, or the direction is not correct, or the waist or kua are not straight, not horizontal, or the spine is not relaxed. These are visible problems. They are easily corrected. But, if your mind and intention are in the wrong way and, thus, your movement and spirit do not follow one another and your mind and body, internally/externally, do not match; these are invisible diseases. These diseases sometimes appear, sometimes do not appear. You can sense it but it is difficult for you to describe or pin down. It is very difficult to correct and eliminate these problems.
For people internally ill, regardless of how they spend their practice, the gesture and momentum will always show ugliness. That is because they do not listen to the teacher's words of how to practice. Again, they spend too much time thinking of east, thinking of west. That is how they go down the wrong path. Learners, in particular, should be aware of these problems.
I have often seen people who already have practiced for many years but still cannot produce internal energy. They cannot respond appropriately. Their hand is confused; their feet do not know what to do; they are unable to sense. Their eyes show hesitation or hastiness and they just fight without preparation. These are further examples of the internal diseases. They are very difficult to cure.
Every movement should follow the breathing. Use breathing to facilitate opening and closing. This is the so-called "using the qi to move the body". Every movement should have "quan" (martial) intention. For example, when the fist comes out, carry the fist with intention. When pulling the fist back, use intention to take it back.
Practice with the saber, sword, or spear should also follow this advice. You cannot throw away your intention and simply allow your four limbs to move independently. Internal movement is a combination of mind controlling the body and the body controlling the hand. Every hand and leg movement starts with your mind. From first the internal the external is reached. This is the so-called "internal skill".
Once expertness is reached then a mere thought, i.e., the mind just thinking in one direction is able to cause just single movement that starts and instantaneously encompasses the whole body. With this, the whole body force will be permeated completely throughout the body. Yet, without a good teacher people cannot reach this level. External skill only heeds external gesture; it is external movement. Their gesture and frame often may be very big and often may look very quick. In reality, however, it may not be so quick.
Internal skill emphasizes awareness based upon understanding energy. Understanding energy internally makes awareness go inside. Although movement may appear slow, actually, it may not be slow. In addition, in combat we decide how big the energy is, the appropriate time, the movement--low and quick, and the target. Since everything, including direction, is calculated, this calculation is based on hearing energy. This hearing energy comes from relaxed, soft, sinking, stillness, and slow practice daily. Boxing skill is an individual, barehanded strategy. The mind and head represent the headquarters. The waist and chest are main but smaller fighting groups. The hands and feet are the smallest and lowest level of the fighting groups. The skin may be comparable to guards. The nervous system may be considered the system of communications.
Once you have contact with the enemy, the nervous system will pass the news to the head and heart. The head and heart make a decision, according to the situation, to guide the waist and body; to guide the four limbs and head and legs. If the nervous system cannot transfer this information, it is impossible to know from which direction the enemy is coming from or his magnitude. An appropriate response will then be impossible. Even if you have great force, if you do not use it appropriately you will be defeated. Use your hands and feet to protect your heart and body. If you cannot use your gesture appropriately you will not be able to reach your goal. The waist and spine are the axis for the use of the hands and legs. If transitions are not done flexibly a good result is not possible. The head and heart are the headquarters of the whole body. Therefore, awareness must be very clear and flexible; otherwise, a good command cannot be made.
During combat, if you need to be quick, you must be quick; if you need to be slow, be slow. In this art not even a single mistake is allowed. Move forward, move backward, left, right, you can not have even one hesitation, otherwise, all may be lost. So we can see the importance of the nervous system being clear. Therefore, taiji skill mainly emphasizes making your mind quiet and your temper concentrated and focused. This keeps the nervous system clear. Some do not understand this and place strong emphasis on the exercise of their muscles. Actually, this also damages the most valuable nervous system. This is a tragedy.
Those who like large muscles and strength probably have only two chances in combat. First, during an attack, regardless whether moving back or forth, they must be very quick. They will want their muscles to respond very quickly. The question is whether or not their muscles are very sensitive; yet even if they are quick, they cannot attack at the correct time. This may only create confusion.
Secondly, when these people hit others, they obviously hope the other feels great pain. In addition, these people often want their muscles large enough and strong enough to absorb the pain of being hit by others. The question here is during the attack, if the timing is not correct, they will use a lot of strength but will hit empty space. If you make a defensive gesture at the incorrect time, this only shows weakness to others. This results in much more harm. So then, what is the use of having large, strong muscles? Further, when you are attacked, you must be very quick. You must move with suddenness. In combat there is not enough time to think of producing strength in your muscles. Finally, when others attack the most vulnerable parts of your body, strong muscles are of no use for defense or to respond.
Taijiquan is a skill with shape and without shape. Although it has shape when an opponent attacks you, your whole body must be very reserved and display nearly nothing in there. This will make the opponent catch an empty shadow so to speak and, thus, not harm you. If the enemy thinks you are empty and, on the other hand, if you show your emptiness but can suddenly attack like thunder, thunder so quick and strong that people must duck and cover their ears, so as to make them totally scared, scared for their life, then this is enticing into emptiness. Taijiquan is a skill based on unpredictable opportunity. If the other thinks you cannot attack, you should just move your mind suddenly to attack. If others think you will come then you should transform as if you have nothing to attack. This is the so-called "being suddenly visible; suddenly invisible".
The practice frame was designed to cultivate your mind and qi. Push-hands is done to acquire listening energy. Scatter-hands is practiced to acquire skill of hand, eyes, body, and the step method. So, this boxing practices heart, physical essence, qi, and spirit. When you practice the skill, your qi must be sinking. Do not intentionally sink it, that is, do not think of sinking the qi. Rather, use true, fundamental intention to infuse the qi during your breathing.
Emptiness is so empty it's as if it is solid. Being solid is so solid it's as if it is empty. There is something there but it's as if there is nothing there. Relax, let go, softness--use these to produce the empty and flexible qi. This will enhance your perspicacity. Place your mind and body in the right place to establish the fundamental source. With this you can show gesture and seriousness. If your body and mind are not correct, your gesture will show shallowness and be overly light, floating. These qualities too easily tempt bullies.
Emptiness and flexibility are the first key to the skill. Understand this theory like a genius then in one or two years full awareness may be reached. An unintelligent person may spend their whole life in practice and study but will still not be able to reach this level
Thus, a person's achievement, deep or shallow, is also a function of a person's innate talent and intelligence. Not everyone can be placed in the same category.
Practice the skill in the early morning or in the quiet of the night without disturbance from others practicing. Do not show off in front of other people. A poem entitled, "Poem of Movement" explains, "The Great Dao (Tao) cannot be removed from even the smallest, lowliest piece of ground."
Do not have intention. Do not have the mind. Do not rely on your chest to move the energy and qi. Your mind should completely relax and follow nature. Allow all parts of the body to naturally rely on one-another. Once you are without intention, once you are without mind, the true mind is then in the place where there is no mind. Once you do not have mind in the middle, you will not have a shape. At that time, emptiness will produce the true empty and flexible. Feel the connection with the universe. Everything comes from nature.
In a discussion on boxing, while there are many different schools, it is noteworthy that they also have many similarities. Externally they practice the hard and quick and use force; they attempt to make qi strong, leave the spirit and talk about severity. For those people, however, who place emphasis on the quick, hard, their mind can hardly be still, can hardly be quiet. For those who use qi to try to inflate their qi, their breathing cannot be comfortable. For those who emphasize severity, they cannot cultivate a harmonious qi. These methods really will harm the tendon, harm the flesh, and will exhaust the spirit and qi. These practices will harm the empty and flexible skills and prevent their acquisition. That kind of boxing cannot cultivate longevity.
When practicing be stable and quiet, comfortable and relaxed, in order to cultivate the empty and flexible qi. Thus, when you use this qi, it is cold, it jumps, it is sudden, it is quick, as if you spit out the energy from your dantien. Always sense the empty and flexible qi and momentum. Then, during combat you can be fully aware of the other's force. With this, the road to victory is already half traveled. Without the empty and flexible qi and momentum, if someone attacks, you will have no awareness of his situation. In this case, in the confrontation your movement will create confusion and you will attempt to hit the other without any plan. This is not taiji skill.
If you have the empty and flexible qi, momentum; if your waist and legs are light and wonderful; if you have spirit and qi, if they are full; then externally you will be able to show the qi gesture. Then, if your movement is also cold and quick; then, if you then use this qi to cultivate the body, you will have longevity. If, on the other hand, you use these internal skills to defend yourself, you will be able to do so. With this awareness and these high skills, challenges in both your personal life and business life may be handled easily.
---------------------Li YaXuan, From a speech on February 6, 1956. Translated by Key Sun, Ph.D., private student of Master Yang SongQuan born and raised in Chen Village.
Crouching Tiger...
Crouching tiger, hidden dragon is not merely the title of the recent blockbuster movie. This expression actually is borrowed from the Chinese language. In Chinese it refers to coming across a heretofore, unknown, 'hidden' individual of high skill; hidden, crouching, ready to pounce on the over-confident, innocent. In one sense, the late Li YaXuan could be considered to be a crouching tiger, hidden dragon in the west. This is because he is so unknown here. In China, however, Teacher Li's work and words are far from hidden. In fact, he was well known and widely respected in China prior to his death in 1976. His story and advice merit careful reading. The Yang's divided their teaching into three basic phases: learning the external, learning the internal, and finally training the mind. Teacher Li hits all three in his discussions and even touches very briefly on the last, the most advanced training methodology.
Translated by Albert Tang
1. Tai Chi Chuan is an internal martial art exercise. Strength is produced in the bones. Power is reserved at the muscles. It does not require one to have tough skin or thick muscles, but sunken "chi" and strong bones are required. Therefore, learners have no suffering of broken bones and hurt muscles, and the tiredness of jumping, but just move naturally to find the potential of power of origin. It is an exercise to develop the your original power.
2. The three main points: spirit, intention, and posture (likeness of the movement's names) have to be there.If the posture is correct, then the spirit and intention are there, and you will have good progression. Also, you will feel differently every day. Learners should try to feel the differences intentionally.
3. If the posture is not correct, then spirit and intention are not there. The result will be just like cooking an empty pot, even after many years of practice you will not be successful. There is a tease saying that ten years of Tai Chi Chuan practice is not as good as three years of kung fu. Therefore, for good Tai Chi Chuan practice: first you have to practice diligently; and secondly you need to have good understanding. Also, the result is dependent on your intelligence, but hard practice can help stupidity. So you should always encourage yourself to practice harder.
4. Breathing during practice - to breathe naturally. Do not force your breath deeply. After many times of practice, your Tai Chi Chuan will reach the natural point. By that time, the breath will be balanced automatically.
5. Originally the thirteen movements of Tai Chi Chuan are the guiding methods of "chi". Guiding means leading the circulation of "chi" and blood. Therefore, when you do a good job of guiding, the "chi" and the blood will have a good balance. All sickness will be gone, but don't misunderstand the method, and try very hard to obtain that balance. If you practice hard and naturally, you will get it when you reach maturity (when the time comes).
6. Loosen the shoulders and drop the elbows means don't hold the strength on the shoulders. Don't try to make the hands heavy, but move smoothly and lightly.
7. Suspend your top (of your head), and hold the bottom (anus). To suspend the top, the head has to be held naturally. If you hold the bottom, the "chi" will come up from there automatically. To withdraw the power, the breast has to be a bit vacant, but don't hold your breast and bend your back.
8. Every time when you practice the form, there are at least three things you must do. The first one is to relax your muscle. The second one is to adjust your postures. The third one is to concentrate more on intentions and spiritual styles. When you can master all the movements, then the spiritual style will appear when you move. When you reach this stage your improvement will be better and quicker.
9. Feeling and understanding of power - To learn these you have to practice more of the push hands, then you will get the benefits of stick, hold, touch, and follow. If you don't have a partner, you can always practice the form diligently, and always use two arms to feel the power. Try to imagine that your opponent is attacking you, and the way in which you are using to control him. If you keep on practicing like that for a long time, certainly you will learn the power too.
10. When you are doing push hands, the most important thing is to study the feeling of power, not trying to knock down your opponent. Try not to let your opponent discover your center, and always control your opponent's center.
11. You can practice Tai Chi Chuan while you are walking, standing, sitting, and laying. The method is to use your mind to circulate the "chi", and find the feeling. For example: to feel the difference between holding a tea cup with strength, and without strength; to feel the difference of walking with heavy steps, and with light steps. When you are standing still, try to feel the difference of straightening your legs, and bending your legs; one leg, or two legs on the ground.
12. During the early stages of practicing Tai Chi Chuan you might experience sore muscles, but don't worry, as this will pass and you will feel good later.
13. Basic steps to learning push hands is to know the power. There are many different types of power such as: stick on power, follow on power, internal power, suspending power, rubbing power, tendering power, fastening power, holding power, touching power, and pushing power. As well there are types of power such as penetrating bone power, shaking power, crisp power, sudden power, tenth of an inch power, shooting arrow power, and even power. In general the above powers are learned from the feeling developed during practice. It is harder to learn the power by oneself, but easier with two people, as people are alive. Additionally, you can use your own adjustment and feeling when you are enforcing the power. Of course, all the types of power are learned and discovered from body movements. If you have no partners, you can learn the power from the AIR.
14. The principles of Tai Chi Chuan: The root is on the feet; enforced from the legs; controlled by the waist; and expressed by the fingers. These are the principles of enforcing power: never let the knees come over the toes; never stretch the hands over your nose; never raise over your eyebrows; and don't press down below the center of the chest. All these are traditional rules. If you break these rules, then the power will not be as good. The variation is controlled by the waist. For example: If you push someone to the left with your right hand sideways, and your hand is over your nose, then the power will not be there. But if you let your left chest withdraw backward a little bit, and turn your waist to the left a little bit, then the power is there again. So this variation is on the chest, and controlled by the waist, and finally shows on you fingers, If the whole body is relaxed and sensitive, then strong power will show on the fingers.
15. People are animals, but with senses. For example: if I hit someone with my fist, the opponent certainly will use hands to block, or move his body to avoid the attack. It is the natural reaction of people, but materials are different. An example of this is a hanging sandbag. It is motionless hanging there. If you punch it, it will move forward and backward. The way it moves is on a fixed route. If you punch it to the left it will move back to the right. It is the reaction of materials. But people are different, the opponent will have various reactions for a punch. Therefore, a boxer has three words: steady, accurate, and fierce. If I don't have these three qualities, I cannot enforce the power. If I do, then the power has to be powerful. So, how to get steady, accurate, and fierce? First, you have to have sense. So, how does one get sense? Don't move if the opponent is not moving. If the opponent moves, you follow and finish the movement before he does. So you will have to fight for that second to finish the movement. Then you will be unbeaten.
16. Before learning Tai Chi Chuan, The strength might be dull strength. After learning Tai Chi Chuan the whole body is relaxed, and with good circulation of the "chi" and blood. But you must get rid of all the nervous tension, and keep the original dull strength. Because when you are relaxed, dull strength can be turned into real power. An example of dull strength is what some people call shoulder power, as the strength is held at the shoulder, and is not controlled by the waist and shown on the fingers. Therefore, dull power is the capital. Relaxation is the Method. If you know the method, then even small capital can achieve great success. if you don't know the method, then even with big capital you cannot be successful. That's why if you understand the principle of Tai Chi Chuan, it will benefit you for all kinds of sports.
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OK, folks, I am going to do this via pdf so that everyone can download the Q &A. My answers
are in blue. Most questions are legit and I wouldn't mind having a conversation with the
people who posted them. Some are not, and I have answered appropriately.
My apologies for this format but time has become the most precious commodity we
possess.
anamatva, on 26 October 2011 - 06:50 AM, said:
1. does internal power such as can perform miraculous physical actions (chopsticks, knives,
pyro, telekinesis, etc) have uses in realizing spiritual truth. In other words, can the robust qi
of a practitioner be used to gain insight?
Answer: It can, though not necessarily. Internal power is a tool like anything else; if you
misuse a hammer, you can break your hand, if you hit yourself on the head with one, well,
good luck to you. Internal power is just an added physical medium, nothing more. I have
met far more people that had realized spiritual truth without internal power, than with
internal power.
If internal power is used under monastic discipline, as with the Tibetan Naropa yogas, then
the chances for realizing spiritual truth are greater. If I am distracted on a daily basis by
the image of Zoe Saldana ( guilty) , the odds of my achieving spiritual truth are greatly
diminished.
2. does it have usefulness for longevity, or does it cause excess wear on the body, and
energy body, to start fires with ones qi and do similar things?
Answer: If you use it with the intention of generating power, it is more likely to cause
harm to you that not. If you use it for longevity, the approach is different and more
balanced. To quote Philip K. Dick, the light that burns twice as bright lasts half as long.
thank you
You're very welcome.
Kali Yuga, on 26 October 2011 - 09:56 AM, said:
I want to know the answers to 2 specific questions which only Kosta is capable of answering.
1. What is the nature of your disbandment why John Chang and you did not get along? Jim
McMillan, also former student of Chang, has told me that John refused to teach him any
further due to the "Headmaster Spirit" being angry there being foreigners in the school? Is
this relevant in your case? What is the real reason why you are a "former" student of Chang
and not a "current" student pursuing fusion and beyond? As anyone on this forum would
give their left gonad to be a lifelong student of that man.
Answer: From the very beginning, Sifu John told me that non-Chinese could not be
students of the school. At the time, he seemed to waiver from that commitment for
personal reasons of his own; perhaps he did not expect that we Westerners would
progress so rapidly. When the Magus of Java came out, there was a backlash from the
Chinese students; right or wrong, the rules of the school had literally been written down.
So we were told that we could not progress beyond a specific level. I refused and resigned
from the school. I have searched after many spiritual disciples of both the East and the
West, and cannot consent to racism as a basis for any type of spirituality, though I will
freely admit it exists everywhere. Having rejected the spiritual base of the Mo Pai, I no
longer wished to be involved; neikung is too much work.
I never "disbanded" with John Chang. I have not talked to him in years, but he always
inquires about me and I about him when visitors go one way or the other. Perhaps one day
we will meet again.
2. As to your knowledge, has there ever been any Indonesian to ever complete the base
training of mopai to the point of "Fusion of Yin & Yang"? or not? Is there anyone in the
Indonesian school to have achieved likeness like Chang with electrogenesis and pyrokinesis
etc, or have all the students not been able to fuse their yin and yang?
Answer: No. There are some who have developed very unusual abilities, extraordinary
abilities, as did I when I was training, but none like Sifu John. Please understand, this is
completely logical. In the history of this lineage, there were only ever one or two students
in each generation, with the Headmaster recognizing the latent talent of the newcomer
when he appeared. Sifu John was not at a level where he could see this, so he opted for a
democratic approach, figuring he would let Nature sort things out. But you cannot be a
fighter pilot unless you have perfect eyesight. It may be (and is likely) that no one will
follow him, that instead the lineage will continue in a different form. And this is
completely OK.
Peace Profound.
And to you.
orb, on 26 October 2011 - 01:18 PM, said:
I believe that a big problem that appeared since the publishing of the book was something
along the lines:
Here is an amazing valid system that many people would love to practice but they can't
because the access has been denied (the reasons are irrelevant)
So I have a question with two kinda ramifications:
Since Kosta (and westerners in general) cannot be taught past level 3(or 2b), what form of
Qigong/Neigung does he continue to practice?
Answer: I do not. I practice meditation every so often and breathing every so often to
secure the flow, but not rigorous qigong as it is popularly perceived and most certainly not
neigung (having rediscovered sex with my wife in my dotage). I seem to retain most of my
abilities however (though not all); I do not know if that is because during the eight years I
practiced strenuously, my internal make-up was changed by virtue of the training.
Or is there any other school that he would recommend since Mopai is inaccessible to
westerners?
Answer: If you are interested in achieving transcendence of the spirit via a method similar
to the MoPai, then I would counsel following the path of Tibetan Buddhism from a good
teacher of the Naropa yogas, though you must be prepared to dedicate twelve years of
your life. If you are interested in martial arts, I would suggest the lineage of Chen
taichichuan as taught by Chen Xiaowang, who is a great master. If you are interested in
power, I am personally very capable with both a Glock 17 and a Ruger .357 Vaquero, and
can recommend both these firearms without hesitation.
Thank you Mr. Becker for doing this.
Thank Spiros the pilot - he is the one who was surfing on taobums and got me to read
through the Danaos topics, bribing me with beer. Mr. Becker of course had told me all
about this site in the past, even referencing specific links, but he being in China and I in
Greece, he could not physically grab me by the scruff of the neck and set me down in front
of a keyboard as is his practice. In any case, when I became interested in doing this I
dumped on Mike because he is my friend.
Sinfest, on 27 October 2011 - 06:25 AM, said:
6) Is it possible to channel energy directly from from the universe for energy work (like
healing, sidddhis, etc) - or do we have to absorb it, store it & convert it to a more usable
form (like an electrical transformer) first before we can use it? (from post 42)
Answer: Both. Think of piping and reservoirs and access to a river to get the proper
mental picture. The larger the reservoir, the more water it can store, the larger the
diameter of the pipe, the more flow it can contain. Channel energy is literally like that.
5) Advice?
Based upon your long study in MoPai, qigong, martial arts and life in general - do you any
key tips (like referred to on p 36), precautions or wisdom you'd like to impart to us?
Answer: I don't think my study of MoPai neigong or qigong in general was terribly long; I
studied for eight years, however diligently it may have been. The key tip I can offer is to
strive for balance in your life between material demands and the pursuit for spiritual
truth. My own preoccupation with the MoPai was because I thought it could offer a return
to more primitive practices in the pursuit of spirituality and a means to combat
materialism; I fear what is coming ahead for all humanity, you see, should greed and
ignorance continue to prevail. That having been said, I counsel balance and very deliberate
actions in your future; trust in Allah but tie up your camel.
More_Pie_Guy, on 27 October 2011 - 07:49 AM, said:
1. The twin goals of "enlightenment" & "immortality" are often listed as the ultimate neidan endgames.. However, "enlightenment" is often described as the transcendence of all duality
(including Self)...whereas "immortality" would be the eternal preservation of "Self," no? It seems almost contradictory, but I suppose this "immortal self" that does goes on would be a
transcendence of life/death (belonging not quite wholly to either state) as SambhogakÄya?
Or no?
Answer: Damn, these are good questions! Give that man a cigar. It is no coincidence that
George Lucas chose just these archetypes as the foundation of the Jedi and the Sith
respectively: the Jedi dissolve into the Universe and become one with it; the Sith endure
and promote their own "immortal self". Having studied Buddhism before the MoPai,
these are questions that bothered me as well. Then there is the stanza in the Tao Te Ching
that states (my translation) "those who retain their center endure, those who die but
continue to exist are immortal".
I'm afraid I cannot really answer your question - I can offer an opinion , but not an answer.
My opinion is that the Mass Unconscious, the Overmind if you will, resides beyond space
and time in what the Chinese call yin, and what we today are calling gravity wells and dark
matter. The more of our conscious mind that we pour into this Overmind, the more that is
retained, until in the end you become a fully-fledged and voting member of the Board of
Directors. I think that is what the fuss is about regarding the union of yin and yang. The
Buddhist approach, as you know, involves essentially "melting" all the yang chakras so
that the knots are freed and one's personality merges with Mind.
Which approach is correct? Who knows? I'm afraid I'm not really qualified to offer more of
an answer, but thank you for the question - it was a good one.
2. My personal question to you is with your background in engineering, what do you believe
Qi or Chi really is.
Answer: What I have stated repeatedly. I believe yang chi is the force that is driving solar
nuclear fusion, the expansive positive force of the universe, and that yin is its
dark/gravitational counterpart, the contractive force of the universe. The effect of
observation (Mind) on particle reality is well documented; I would study the works of
Penrose, by example.
In the Greek Orthodox church, there is the example of St. Spyridon , who reportedly
converted a pagan philosopher to Christianity by using a potsherd or brick to illustrate
how one single entity (a piece of fired clay) could be composed of three unique entities
(fire, water and clay), a metaphor for the Christian doctrine of the Trinity. The potsherd is
said to have miraculously burst into flame, water dripping to the ground, and only dust
remaining in his hand. My personal belief is that everything is like this: the spiritual is not
separate from the physical or the mental. This is how I view chi- as part of physical theory,
but a part of physics as yet defined.
kundalini, on 27 October 2011 - 08:22 AM, said:
1) What is your level?
Answer: Ah! I take pride in stating with humility that, after a year of painstaking effort, I
have finally reached Level 50 in Fallout New Vegas, and can go no further because no new
DLCs are being produced.
2) Could you explain completely what you know of the MoPai level 4 technique?
Answer: I already have.
Harmonious Emptiness, on 27 October 2011 - 08:29 AM, said:
I haven't read The Magus of Java, but Mo Pai is no less intriguing by what I have read on TTB.
My questions are:
Since the goals of Mo Pai make it somewhat of an "Enlightenment practice," is there a
philosophical foundation of Mo Pai which helps to bring students towards a supreme
understanding of Reality?
Answer: I suggest you read the Magus of Java to answer these questions; I understand it is
on pirate websites as a torrent, though I cannot legally advocate that you download it
from there. But in summary the philosophical principles of the school follow the line of Mo
Tzu, though what I witnessed in Java was more along the line of shamanism and ancestor
worship.
Are there scriptures or texts in particular, Taoist, Buddhist, or others, that help to reach this
goal, or are philosophies of Mo Pai all learned directly from a master, and through one's
perseverance in the practices Mo Pai?
Answer: Sifu John has a book given to him by his master with the practices of the school
outlined in medieval Chinese all the way up to Level 72. I have seen it, but of course could
not read it.
Yuen Biao, on 08 November 2011 - 09:07 PM, said:
I have two simple questions:
1. What type of meditation does Kostas prefer to practise in terms of what he believes gives
him most benefit; for instance would that be standing (wu ji, Zhan Zhuang) or seated for
instance (lotus, seiza).
Answer: Even though I have practiced other forms of meditation, most likely due to simple
repetition, I still like to practice the MoPai seated method, sitting in a half-lotus because of
creaky knees. It seems I can reach deeper states of meditation with this practice. Bear in
mind though that such choices are very personal.
2. Does Kostas agree with Bruce Lee in regard to his famous quote: "It's not the daily
increase but daily decrease. Hack away at the unessential." And can we also follow this
philosophy in terms of spiritual practices and internal martial arts?
Answer: Yes and no. I certainly would not counsel wasting one's time with
overcomplicating things. On the other hand, I firmly believe that ability equals the definite
integral of effort put in over time, dt - the more time you put in, the more efficient you will
become as well.
*Edit - to say thank you!
You are very welcome.
Trunk, on 08 November 2011 - 10:51 PM, said:
two questions:
1. In your view, are there some few fundamental principles / mechanics pertaining to
cultivation in general that we should keep in mind?
1. In your view, are there some few fundamental principles / mechanics pertaining to
harmonizing essence that we should keep in mind?
Answer to both: Remember that we are complex entities, and yet, like St. Spyridon's brick,
all one unit. Neither cultivation nor harmonizing essence are independent of one's own
nervous system or metabolism, nor are our actions independent of the consequences of
our own lives. If your nervous system is unhealthy, your mind will suffer as well. If your
metabolism is unhealthy, so will your practice become unhealthy. Be deliberate and
responsible, and accept that one plus one equals two. Keep this in mind and you will do
well.
vortex, on 14 November 2011 - 10:21 AM, said:
1) Do Yin & Yang qi attract or repel each other? (Your book seemed to contradict itself on
this?)
Answer: Both. They are not friends but business partners. As solar nuclear fusion contests
the force of gravity and hence shapes space and time, and vice-versa, so do yin and yang qi
compete. Where one goes, the other inevitably follows, vying for supremacy.
3) How exactly does the fusion of Yin Qi and Yang Qi in Houtian neidan (like MoPai) lead to
enlightenment and/or immortality?
Answer: I have tried to answer this to my best ability time and time again; unfortunately,
being neither enlightened nor immortal, I cannot do better than I have already done.
Thank You
You are welcome.
MJJ Becker: Further to the above, there were of course a bunch of other questions asked. I
leave it to your discretion whether you wish to take up the option of addressing any of
these and have copied them below:
Enishi, on 26 October 2011 - 05:31 AM, said:
In The Magus of Java, is the description of the fight between the two masters that included
phrases such as 'it was as if bombs had been dropped' intended to be literal or partly
symbolic/figurative? Although I have experienced things like remote viewing and spirits, I
found this part of the book a bit hard to swallow.
Answer: Then by all means do not swallow it. I do not think symbolism is implied, though I
could be wrong. Sifu John told me the story, and I being a Westerner, recorded everything
on tape for posterity and to prevent accusations of embellishing and/or fantasizing. I am
responsible for the literary depiction, not the content of the story; that, you will have to
take up with Sifu John.
Warrior Body Buddha Mind, on 26 October 2011 - 07:03 AM, said:
Q: How does one sever the Dan Tian chords in Mo Pai - is it mental or physical?
Answer: Both; the two are inseparable. Tell me you can have a thought without
simultaneously firing up a matrix of neurons and neural synapses in your brain. One
indication that you have severed a chord is that you briefly pass blood in your urine for
one or two days upon severing each one; this quickly passes. When the chords are
severed, you can actually feel the "ball" move in your belly at your command.
-K-, on 26 October 2011 - 08:07 AM, said:
Great! Thanks for doing this Mjj!
I'm curious about what changes need to take place in a person in order for them to be able
to do things like John Chang is able to do (supposed to do, because I have to admit to being
unable to believe it )
thanks!
Answer: Since everything is fractal, I believe the changes reach all the way down to the
structure of our DNA.
Gren1o1, on 26 October 2011 - 01:02 PM, said:
I am in China teaching english, and wondering if Kosta knows where Mo Pai originated from?
The exact origins/location of where it was founded, head quartered or anything alike. There
could be remnants of when the tradition branched off that might accept students.
Answer: When I was studying Chemical Engineering, I used to have a professor who fielded
off questions with the blanket statement: "It's all in the book!", given that he had written
the textbook we were using. I went through all that in the Magus of Java, and have to beg
off doing so again here. I have no idea whether or not there may be another lineage
accepting students, but I doubt it.
suninmyeyes, on 27 October 2011 - 03:36 AM, said:
Could WarriorBBM or anyone else who understands what Dan Tian chords are and severing
them means explain it to me please? I am courious and have tried to google it but found no
answer.
I saw this chord severing recently around TTB and am not familiar with the concept in this
kind of context.
Is it something akin to passing through the gates of fear, psychological and emotional
,spiritual detangeling ? Or?
What are the chords? How could someone severe it physically?
Thanks
Answer: I think I answered this question previously.
Ish, on 12 November 2011 - 09:37 PM, said:
I figure it might be too late, but it's worth a shot.
1. In terms of energetics and nei kung, what effects do the typical Buddhist practices of
Vipassana (Insight) and Shamatha (Concentration) have?
2. Were there any practices more focused on the "mind" level rather than the energetic level
in the Mo Pai system? What were their aims?
Answers: Good questions!
1. Since similar neikung disciplines are found in Vajrayana Buddhism, I believe both
Vipassana and Shamatha practices can help you quite a bit. I personally believe that MoPai
neikung derives from the lost tradition of Amoghasiddhi, though I will not elaborate on
this for lack of concrete proof.
2. MoPai neikung is strictly energetics. It was primarily developed for combat after all.
vortex (again) on 14 November 2011 - 10:21 AM, said:
2) Does MoPai pose any particular health risks? And if so, how much of this is due to
malpractice vs detoxing?
Answer: I know of no one who has not suffered some kind of complication. I believe that
this is because the techniques were originally developed for use by hermits/monks.
4) Did you really see John Chang levitate nearly a foot off the carpeted hotel floor like you
wrote in The Magus of Java?
Answer: Ah, the Jim McMillan controversy! I was told about this. Can anyone else see how
much of an oxymoron this question is? Jim asserts that I am embellishing because John
cannot really levitate, but instead is able to "merely" step on a vertical cigarette, whereas
the evil Kostas says he has seen him completely nullify the force of gravity. Surely this is
simply a matter of degree, or am I misreading the situation?
Oh, and by the way, Batman beats Spiderman every time.
5) Jim McMillan said that John once had a friendly encounter with Mike Tyson and demo'd
some ability on him that Mike apparently had trouble resisting. Do you know exactly what
happened in this incident?
Answer: Uh... blink? Blink again? (Vague uncomprehending look on face).
rodgerj, on 14 November 2011 - 10:48 AM, said:
Seems I'm late on this one. If I could ask though I'd ask;
1) Why do you think Pak John was so unhappy about your books
2) Why do you think Hollywood refused the proposal to make a movie?
Answer: When I was a kid, I kept a goldfinch in a cage. It used to ruffle its feathers and
puff up to twice its size in an attempt to appear fierce, not realizing that the loud
mammalian sounds that accompanied that effort, were quite simply the laughter of
children.
To answer your questions then:
1. He wasn't unhappy about them. Your perception of the matter is skewed.
2. I don't think, I know precisely, since I was the one who was talking to the producers in
the first place (and very serious producers they were). Moreover, Hollywood did not
refuse; I did. The book was deemed to be un-cinematographic (in other words, of
insufficient interest for the broad public); the scene that produced the most interest was
the battle of Pai Lok Nen with Lim. As a consequence, they wanted to rewrite the whole
thing, with scenes of me flying through the air Ć la Crouching Tiger and battling the evil
Maoshanpai dudes who had come to prevent the white apprentice from ascending to the
Jedi council halleluiah. So I ditched the option.
Give me a break.
Cameron, on 14 November 2011 - 04:00 PM, said:
I am late in the game on this so no worries if it doesn't make the cut.
I just have one question.
Have these practices made you a happier person?
Answer: Not the practices themselves, but a by-product of same. In practicing the MoPai
techniques, my heart chakra or whatever was inadvertently opened; I have a burn mark in
the center of my chest that has not gone away for seven years and seemingly never will.
Since that time, I have also suffered the tribulations of life: illness and health, wealth and
scarcity, friendship and animosity, love and hate. All these have served to make me a
happier person.
'3rdlevelmopai', on 02 August 2010 - 03:59 PM, said:
Listen, this is important, the person who writes about the encounter that John Chang had with Tyson is for the most part pure fantasy. How do I know...well, how about if I was the 1st Western student of Pak Johns since 1990.
Yes, the encounter happened all right, but the person who tells this yarn wasn't there to know exactly what happened. In fact, he embellished the story way out of context to the point most of is pure fantasy.
One of Johns family members (I won't mention who it is) set up a meeting with an entertainment director at a specific hotel (I won't mention). There was a short demonstration of a few things Pak John normally does (that I also won't mention).
After the demo there was a friendly confrontation between the two men with Tyson having a huge problem (that I won't discuss). But it was brief and all the extra stuff this guy claimed to have happened...didn't.
I won't mention specifics because when this guy who claims to have been there comes forward, I can ask him directly what hotel it was, who the family member was and what things Pak John did...not to mention ask who the other people were.
There are way too many clowns out there trying to become a part of something they are unable to. So they do it through fantasy...they seem to want the attention. This guy should be a fiction writer.
Jim
Man, I'd love to hear what really happened, then???
So, you claim nothing like this ever happened?
'seandenty', on 13 October 2006 - 10:28 PM, said:
Just for fun; and this has nothing to do with anything other than just amusement. John Chang met Mike Tyson once. He let Tyson hit him as hard as he could for about 10 minutes; nothing. Then he tapped Tyson on the wrist with about 1.5% of his qi; Tyson was out for about two minutes and he had no idea what hit him .
These types of contests are meaningless to anyone beyond a certain level.
How do you think John Chang would fare then, against a heavyweight boxer or MMA pro? Would his qi be able to overpower any type of athletic power...or no?
And, did you ever happen to witness anything like this in the time you've known him? Or no?
'seandenty', on 13 October 2006 - 11:53 PM, said:
The following story was told to me by Kostasā senior student in Greece. Several of Sherfu's students witnessed the whole thing go down. I posted this on Shaolin Wahnam three years ago.
"One day at Sifu John Changās clinic in Java, three acupuncture needles mysteriously appeared in the wall. Sifu and his students were at a loss as to how this could have occurred. The following day the same thing happened. This continued for several days; each day Sifu would return from lunch to find three more needles in the wall.
At some point he sensed a presence in the room as three needles rose out of their cabinet, turned toward the wall, and shot across the room, imbedding deeply into the wall. John called out to this mysterious presence, āshow yourself coward.ā Presently a ball of condensed golden light floated into the room. Recognizing a challenge for what it was, he shot an energy blast from his palm directly at the sphere. The sphere in response deftly evaded the strike and remained floating nonchalantly in the air. What followed was an intense but largely one sided dual. The students who where present said that at one point Sifu Changās body literally became a blur as he moved faster and faster in his attempts to strike the sphere. After a while he gave up and the ball left as mysteriously as it had arrived .
A couple days later, while Sifu was away on business, a man came calling at his home. His wife answered the door and man asked her to deliver the following message to Sifu: ādonāt be too proud.ā Neither Sifu, nor his students knew this man and he never returned."
Actually the story was to be continued several years later, as Sherfu's senior student received an offer from the mysterious challenger to come and study with him when Sherfu retired.
I don't expect anyone to believe me and quite frankly, who would. This is the will of the masters to remain beyond the veil. Actually, there may be a documentary in the works in the next few years that will involve David's masters. If it happens, I think it's going to change the world as we know it.
I'm currently receiving emails and telephone calls from around the world; in some part due to the posting here. Many people who have met Kostas or read the book or seen the documentary, are willing to look past the veil. Personally, I feel it's the beginning of something; just like Kostas book was 6 years ago.
I know that some of you out there are just watching and have met John Chang and others perhaps. I would invite you to share... who knows, maybe something good can come of it.
Best, Sean
There's so much mythology surrounding JC, I was just wondering what your own experience has been like?
Edited by vortex, 02 August 2010 - 02:37 PM.
Posted 23 December 2009 - 10:38 AM
Ok I SAW IT HAPPEN.....I was asked to keep it secret but I think you should know....
So JC was minding his own business, just happily playing poker in Vegas, by chance Tyson was on the same table.
JC obviously was winning, REAL BAD too, poor tyson had lost 1Million in this game. Tyson had noticed how well JC chose his moves, too well that is, as if he could read the other players cards.
Tyson got up to leave the table, but couldn't help but ask with his funny voice "You psychic or something man?!"
JC defensively snapped back at him with lightning in his eyes "You accuse me of cheating!?". Tyson was scared, knew something was different about this man, but the whole table was looking at them, and theres no way tyson can lose face like this, so he told JC "lets take it outside little man, I ll eat you alive".
JC slowly got up, looked tyson in the eyes and said "you dont knw who you mess with, bitch" zapping tysons ass with some chi, causing tyson to jump up. Tysons sudden movement sent his bodyguard into fight mode. They jumped him all at once, all 3 of them, but before they could get close to him they were repelled right back. Now tyson was spooked, his fear sent him into fight or flight mode, he should ve have chosen flight. JC played with him like a cat plays with a mouse, Tyson didnt know what to do so he charged jaw wide open right for JCs ear. He bit it, and bit down hard, you could hear the sound of his teeth braking as JC used his Iron Ear technique.
Tyson now exhausted and with more broken teeth than hes had through a lifetime of boxing decided to cut his losses, he looked at JC and asked "what are you?" Jc picked up his winnings from the table and slowly raised his head to look at Tyson "I am John Chang, level 52 master of Mo Pai, and your dantian is 2% full". He then simply picked up and left, leaving Tyson to wonder what all his training had been for, if he cannot even scratch a short little man half his size.
Thats it, That is what happened. I know it sounds unbelievable, but thats the truth.
Vitality quantified from birth to death.
64 chu (in weight) = 1 unit positive (yang) principle.
Vitality dissipates (harms real nature) through desire and passion , quest for fame and wealth, cunning + artfulness, tricks.
The formula for natural gain and loss through aging
Vitality increases by 64 chu every 32 months until age 16yr.
Vitality decreases by 64 chu every 8 years after age 16.
Age
Vitality (in weight)
At conception
24 chu inherited from parents
2yr + 8mth
1 unit = 64c chu
5yr + 4mth
2 unit = 128 chu
8yr
3 unit = 192 chu
10yr + 8mth
4 unit = 256 chu
13yr + 4mth
5 unit = 320 chu
16yr
6 unit = 384 chu = 1 catty [MAX VITALITY]
24yr
5 unit
32yr
4 unit
40yr
3 unit
48yr
2 unit (hair and beard turn grey)
56yr
1 unit (liver weakens, sight becomes bad, memory fails, consitution withers)
64yr
0 unit (white hair, energy exhausted, features emaciated, death fast closing in)
If the proper kind of meditation is done, gathering generative forceā¦
For 100 successive days
+1 unit positive principle (64 chu vitality gained)
For another 100 days
+2 unit. Body is strong and all ailments vanish
For another 100 days
+3 unit. All cavities in body are cleared for rejuvenation, steps are light and quick, clear sight and good hearing
For another 100 days
+4 feel very comfortable like wealthy man who has all means to enjoy life, skin lustrous and white hair turns black
For another 100 days
+5 spirits very high, new teeth grow to replace fallen ones
For another 100 days
+6 enjoy cream of life life while restore body fully to its all positive state in early infancy and regaining circle of taiji (supreme ultimate) wheren real positive vitality and essential nature unite to emit he precious cauldron (in the head) and that of true life in the stove (in the lower abdomen).
Overcoming lust: can be achieved by mastering the first 6 phases of taoist alchemy, after which jing is full, penis retracts.
5 pungent roots: garlic, onion, 3 kinds of leeks: are an aphrodisiac which cause extra production of generative fluids
Overcoming gluttony : vegetarian diet, avoiding 5 pungent roots.
The perfect man is free from dreams.
Method: coiling up body into 5 dragons. Purpose: banish dreaming, hence eliminating nocturnal emissions which occur from erotic dreams.
1
Composing one's head (i.e. put it in comfortable position)
2
Curve and recline body on either side, like coiled length of a sleeping dragon fr the curved body of a dog
3
Bend one arm for a pillow
4
Other arm stretching to place hand on belly
5
Straighten one leg
6
Bend other leg
7
Even before heart is immersed in sleep, pupils of both eyes should be drawn close to each other for pointed concentration on the great emptiness so that in the condition of utter stillness the vital principle returns automatically to its source (under the navel)
8
Breathing is normal and self-regulated, and the (vital) breath is brought under perfect control
In both seated meditation and sleeping,
1
Exhale out impure air
2
Inhale in fresh air in order to set heart at rest
3
See and hear nothing (disengage all 6 senses)
4
Close mouth and touch palate with tip of tongue
5
Empty mind of all thoughts
6
Drive down air breathed in (into lower dan tien 3 inches below navel)
7
Abstain from moving limbs
8
Concentrate on spirit (between and behind the eyes) and drive it down into the cavity of vitality (lower dan tien) where spirit and vitality become inseparable, like slow fire kept in a stove.
9
As time passes his spirit becomes stronger and he will even forget about sleeping; his vitality will be full and cause him to forget about eating; his generative force will be full freeing him from all sexual desires and causing his body to be strong and light; his heart will be pure and spiritual; his vitality will be genuine; his spirit will be perfect and divine; thus he will enter upon the path of immortality. This resting breath is far more advanced than the foetal breath.
Why does nocturnal emission occur?
When a man is awake, his consciousness I seated in his eyes, but when he sleeps at night, it is lodged in the lower abdomen. So when he sleeps his breathing disturbs all 6 senses and arouses the generative force which will drain away.
Method 10: Gathering Vitality and stopping nocturnal emissions
Each evening before going to bed, relax your heart and sit in meditaiton.
When (vital) breath vibrates and penis erects:
1. press left middle finger to left palm (dragon cavity - linked to heart and lower abdomen via artery)
2. press right middle finger to right palm (tiger cavity - linked to heart and lower abdomen via vein)
3. place right palm on left pressing
4. raise tongue to the palate to make a bridge linking microcosmic
5. look up and to the left
6. breathe in to raise (vitality) to region of the brain (ni wan)
7. breathe out to lower it ot the mortal gate (at root of penis).to prevent generative fluid from draining away
8. After several cycles, penis will retract
Method 9 transmutes generative force and vitality into immortal seed, but before it matures it tends to vibrate at night and drain away of itself even in the absence of thoughts and dreams, hence the need for method 10.
If cultivator has previously given rise to perverse thoughts while gathering the generative force, to sexual desires when seeing attractive women or to disturbance at licentious talk, the arousal of the genital organ indicates that he will lose the 'precious thing' at night even in the absence of thoughts during his sleep!
WANG YEN-NIEN TALKS ABOUT ZHANG QINLIN
An interview by Sam Tomarchio
Translated by Julia Fisher-Fairchild
(Volume 4, NO. 1, SPRING 1996)
After moving to Shanxi province, Zhang Qinlin earned his living by buying and selling furs and skins. He did not hang out a sign and start teaching taijiquan. No one knew that he had been taught taijiquan. During this time he entered the Gold Mountain School of Daoism (Jin Shan Pai). Zuo Yifeng, who was my daoist teacher's teacher, was Zhang's daoist teacher. With Zuo, he began learning neigong and daoist gongfu. As his internal alchemy, neigong and daoist breathing improved, his taijiquan and gongfu took giant leaps forward. It was then that he began to be on the lookout for young potential martial artists - and accepted his first student: Wang Shanzhi.
Even though Wang Shanzhi was a pretty good student, Zhang Laoshi did not teach him Yangjia Michuan Taijiquan. He first taught him the 81Step3, using this time to observe Wang's character, how he practiced, and what type of person he was. Zhang wanted to see if Wang was the right "material". He saw that Wang Shanzhi was good, but not exactly what he was either looking or hoping for, and Wang remained at the level of the 81-Step. So Zhang Qinlin was still on the lookout for young people with good potential. It is said that not only do students look for a good teacher - teachers also look for potential students.
Then he found a man named Hu Yaozhen. Hu, already an accomplished Xingyi practitioner and teacher, had a strong physique and worked hard. Hu had heard of Zhang Qinlin and knew that his gongfu was great. Zhang Laoshi saw that Hu was not afraid to train hard, and Zhang was willing to accept him as a student. But before he actually entered the door", Hu said he wanted to challenge Zhang. If Zhang beat him, then Hu would become his student. [To understand this, we must remember that] Hu Yaozhen was not only very skilled, but a well known master of Xingyi. He was the "king" of Shanxi, Hebei and Sulyuan provinces -and was known as the best xingyi master. No one in these three provinces had ever defeated him. He was also about five years older than Zhang Qinlin and so felt he had to challenge Zhang -- and be beaten by him -- before he entered the door. Zhang Qinlin said, "Are you sure you want to do this? You are not going to bow to your laoshi unless we do this?" Then Zhang told Hu that if he (Hu) lost, he would not take him as a student. Hu replied: "Who are you anyway? You just arrived in Shanxi province. Nobody knows you. You must be dreaming to be saying this to me." Then Hu said, "If you win I'll be your student." Zhang replied, "If you lose I am not going to take you." They decided to go ahead with the challenge.
One of the key movements in xingyi is Pi (splitting) and this was the move that Hu made toward Zhang Laoshi's face. Zhang Laoshi made a Cai and caught his hand. The Cai was so fast and with so much energy, that Hu fell to his knees. In xingyi, this move is made with the weight on the front leg. Because Hu's weight was on the front leg, the cai pressed Hu forward so that he fell onto his knees in front of Zhang Laoshi. On his knees, Hu had to look up at Zhang Laoshi and gave up. Zhang Laoshi said, "You were defeated, now go home." Hu quickly shouted, "No, no, no! I want you to accept me as your student." Zhang said, "I told you, if you lose I am not going to take you." Hu pleaded, saying, "You must take me, I am already on my knees. I am not leaving until you take me as your student." Zhang Laoshi replied: "If you want to kneel there, that is your business, but I am not going to take you." Zhang then walked away.
Hu stayed there, kneeling and waiting for almost three hours. Mrs. Zhang said to her husband: "Hu is older than you. How can you let him stay on his knees for so long and ignore him?" Zhang Laoshi replied, "I did not make him kneel there, he is doing that by himself." Zhang's wife, realizing that things were at an impasse, wondered what to do. She thought perhaps that finding a sponsor to intervene, rather than have her husband and Hu deal directly, would be a possible solution. She knew everything would depend on who Hu found to be his sponsor. If the sponsor was good at talking with Zhang Qinlin then things might work out. So Mrs. Zhang suggested this, and hearing of this possibility, Hu bowed to the floor and went off to find a suitable sponsor.
Hu Yaozhen, also a member of the Jin Shan Pai (Gold Mountain School) went to a member of the older generation - someone who would have influence over Zhang Qinlin - to ask him to be his sponsor. Because Hu's sponsor was an older brother of Zhang Laoshi's and was willing to introduce" Hu, Zhang said, Yes." After the formalities were over, Zhang told Hu to practice only taijiquan, but Hu was not really able to let go of his xingyi. He was already a great master, and thus it was very difficult to "throw it out the window". Zhang kept telling Hu that his jin (internal energy) was wrong - it was a xingyi type, not a taiji type of energy. Hu said that there was nothing he could do because he had been practicing that way for so long. Zhang decided to teach Hu the 81-Step form of taijiquan, realizing that unless Hu was able to let go of his xingyi it would be quite difficult to teach him Yangjia Michuan Taijiquan.
Jiu Zhiliang4 from Shanxi province and in the army, was accepted by Zhang as his student. Liu was a good person with many good characteristics, but was not able to truly relax. Being able to relax in the 81-Step was a necessary condition to move on to Yangjia Michuan Taijiquan. So Zhang Qinlin still had not found the person he was looking for.